The man came in from the piazza that surrounded the bay window and reached around to the long French window at the side, where he had been unpacking a box. He placed a silver-mounted smoking set on a small mahogany table. Then he stood back to survey the effect. Presently he came in with some fine cut glass, a small decanter heavily mounted in silver and glasses to match. He went out and came back with their tray. Having dusted them off carefully and arranged them on the tray, he placed it first on the handsome broad mantel, and as before stood back to take a survey. He knew the set was a choice example of artistic work along this line. It was presented to his master while he was visiting in the home of a nobleman in token of his friendship and to commemorate something or other, the man did not exactly know what. But he did not like the effect on the mantel. He glanced uneasily up at the picture. In a dim way he felt the incongruity. He scowled at the picture and wondered why they put it there. It should have been hung in the hall or some out-of-the-way place. It was more suited for a church than anywhere else, he told himself. He placed the decanter tray on the little table at the other side of the fireplace from the smoking set, and stood back again. It looked well there. He raised his eyes defiantly to the picture, and met the full, strong, sweet gaze of the pictured eyes of the Master. The man lowered his eyes and turned away, disturbed, he knew not why. He was not a man who cared about such things, neither was he one accustomed to reason. He went out to the piazza again to his unpacking, trying to think of something else. It wasn’t his picture nor his decanter anyway, and he whistled a home tune and wondered why he had come to this country. He didn’t seem to feel quite his usual pride this morning in the fact that he knew his business. When he finally unpacked the wicker-covered demijohn of real old Scotch whisky that had accompanied the decanter, he carried it through the room and deposited it in the little corner cupboard behind the chimney, shut the door and locked it with a click, and went out again without so much as raising his eyes. All that day he avoided looking at that picture over the mantelpiece, and he grew quite happy in his work again and quite self-satisfied, and felt with a sort of superstitious fear that if he looked at it his happiness would depart. There were other rare articles that he had to unpack and dispose of, and once he came to a large, handsome picture, a sporting scene in water colors by a celebrated artist. That now, would be the very thing to hang over the mantel in place of the picture already there. He even went so far as to suggest to Mrs. Stanley that he make the change, but she coldly told him to leave the picture where it was, as it was a gift, and showed him the envelope to place on the mantel directly under the picture, which contained the card from the donors.