Lady Ellington went into the drawing-room on her way upstairs. Philip,
she knew, since she had passed him fifty yards from the house had gone,
and Madge, so it appeared, had gone too. But the tea was still there.
For herself, she had already had tea, but she took the trouble to rinse
out a cup, pour a little boiling water into it, and proceeded to lay the
note face upwards over it. Thorough in every way, she took the
precaution of sitting close to the table, ready at any moment to snatch
the note away and be discovered sipping hot water--a practice to which
she was known to be addicted, and to which she attributed much of her
superlative health and freedom from all digestive trouble. How well
founded that belief was may be judged from the fact that she digested
without qualms of any kind what she was doing now. The good purpose that
lurked behind assimilated apparently any meanness. In fact, the good
purpose was of the nature of the strongest acid; the meanness ceased to
exist--it was absorbed, utterly eaten away.
She was in no hurry, for there was still plenty of time before she need
dress, and she waited till the flap of the envelope began to curl back
of its own accord as the gum that fastened it was made fluid again by
the steam. This happened very soon, because it was not yet really dry.
Then, taking precaution against the sheet inside being touched by it,
she drew it out and read. The clear, neat handwriting--she had taken
great pains with Madge's early tuition in this art--was as intelligible
as print, and she only needed to read it through twice before she placed
it back again in its envelope, pressed the flap back, and left it to
cool and dry. Yet during this very short process her own ideas were also
cool and dry, and the reasoning sound and effective. So she put a stamp
on the envelope, and went downstairs herself, and dropped it into the
letter-box.
Public-domain text, read in full here on John Shaqi.
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