That was necessary, since in her note Madge had stated that she would be
at the studio at three unless she heard to the contrary. Therefore there
was no object to be gained in merely sequestrating the note, since Madge
proposed to go there unless stopped. For Lady Ellington knew well that
no plan, however well-founded, could be quite certain of success;
uncertainty, the possibly adverse action of Fate might work against it,
and thus to let this note go--of which she had mastered the
contents--was to provoke an accident the less, since, on her present
scheme, she had not stopped it. For the fewer dubious things one does on
the whole, the less is the risk. It is the unfortunate accident of guilt
which in nine cases out of ten hangs a man. So though she had been
guilty--in a way--when she wrote to Evelyn, implying Madge's
acquiescence in her letter, she had the more excellent reason now,
especially since she had completely mastered the contents of this note,
in not taking the more questionable step of stopping it. For she knew
for certain, and at the moment did not require to know more, the
immediate movements of the enemy; if Madge heard nothing, she would go
to the studio to-morrow at three. But no one under any circumstances
could prevent her mother making her appearance there too.
Again, it is true, some sort of reply might come. But the fact of a
reply coming was equivalent to Evelyn's saying that he could not be
there at three to-morrow, which rightly she put down as being a
negligible contingency. And in this case again, if Lady Ellington could
not keep watch over Madge's movements during the next ten days she felt
she would be really ashamed of herself. And as she had never been that
yet, she saw no reason why she should begin now. She was probably
right--the chances were immensely at this moment in favour of her not
beginning to be ashamed of herself. For the beginnings of shame are
searchings of the heart; Lady Ellington never searched her heart, she
only did her best.
The evening passed in perfect harmony; and though she had a good deal to
think about, she could yet spare time to be characteristically critical
about the play. That was easy, since it was a very bad one, and the
deeper consolations of her brain were devoted all the time to certain
contingencies. This note had been posted by half-past seven; it would be
received that night. Supposing there was a reply to it, it was almost
certain that the answer would come at the second morning post, the one
that rapped towards the end of breakfast time. If so, and if that reply
was received by Madge, she had merely, in the most natural manner
possible, to suggest complete occupations for the day, challenging and
inquiring into any other engagement. But she did not seriously expect
this--no reply was the almost certain rejoinder. In this case, Lady
Ellington would be quite unoccupied after lunch.
Public-domain text, read in full here on John Shaqi.
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