Lady Ellington was thus, so to speak, forced into Madge's room; she
carried with her her glass of hot water, she carried also, which was
even more warming, the memory of the undisguised welcome that not only
Madge but the impossible artist had received. She almost, in fact,
reconsidered her valuation of wealth; had Philip Home appeared in
Evelyn's place this evening, she knew quite well he would not have been
able to stir the deadly gentility of this house half so well as the
impossible artist. He could not have piped so as to make them dance, yet
this, this key to the sort of set which she knew really mattered most,
the solid, stolid, respectable upper class, had been just rats to his
piping. His natural enjoyment, his animal spirits, to put that influence
at its lowest, had simply played the deuce with the traditions of the
house, where she herself never ventured to lift her voice in opposition
or amendment to what was suggested. But Evelyn's "Oh, let's have one
more Dumb-Crambo" had revised the laws of the Medes and Persians, and
another they had. Even at the formal council of war he had refused to
say what he would like to do to-morrow, a thing absolutely
unprecedented.
"Oh, may I go and shoot if it is fine," he had said, "and do nothing at
all if it is wet? Don't you hate shooting, Lord Dover, if your barrels
are covered with rain? And birds look so awfully far away in the rain.
But I should love to shoot in any case," he added. "My goodness, Madge,
think of the King's Road and the 'buses."
Yet all this revolt against the established laws, so Lady Ellington
felt, had somehow not transgressed those laws of propriety which she was
so careful about here. Evelyn, from ignorance, no doubt, rode
rough-shod, and no one resented his trespasses. Even Lord Dover had been
stirred into speech, a thing he did not usually indulge in except on the
subject of the grouse that had been shot and the fish that had been
killed that day.
"My dear boy," he said, "you shall do exactly what you like to-morrow.
There is a rod for you on the river, or we should like another gun on
the moor. Tell us at breakfast."
* * * * *
All this Lady Ellington took up to Madge's room with her hot water; that
Lady Dover would be as good as her word, and that, having asked these
two to Glen Callan, would give them a genuine welcome, she had never
doubted, but what was surprising she was the extreme personal success
of her once better-forgotten son-in-law. This stronghold and central
fortress of what was correct and proper had received him as if he was
almost a new incarnation of what was correct and proper, or if that was
putting it too strongly, at any rate as if no question of his
correctness and propriety had ever arisen. Surprising though it was, it
was wholly satisfactory.
"We are so late, dear Madge," she said, "that I can only stop a minute.
Has it not been a delightful evening?"
Public-domain text, read in full here on John Shaqi.
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