The desire to say something salutary struggled long in her mind. She
wanted so much to indicate that it was for the sake of her feelings,
even in consequence of her own intervention, that so charming a welcome
had been extended to Madge and her husband. And to be quite truthful, it
was not the instinct for truth that prevented her, but the quite certain
knowledge that Madge would not stand anything that suggested a hint of
patronisation. Besides the house was Lady Dover's, that person who, as
Lady Ellington was beginning to learn, was natural because she happened
to be natural, and was quite truthful, not because this was a subtler
sort of diplomacy. That naked dagger of truth was an implement that
required a deal of mail-coat to ward off. Any moment Lady Dover might
wreck any scheming policy with one candid word, and the corresponding
surprise and candour of her eyes. But the welcome had been so warm that
Madge could not but be warmed by it, even to the point of confession.
"Oh, mother," she said, "I have been disquieting myself in vain. All
this last month I have been wondering secretly whether people were going
to be horrid to us. How senseless it all was! I have been thinking all
sorts of things."
She put down her candle and drew a couple of chairs to the fire.
"I have had all sorts of thoughts," she said. "You see, you did not
write to me. I thought you might--well, might have washed your hands of
me. I thought that people like Lady Dover would think I had been
heartless and Evelyn worse than heartless. I was hopelessly wrong;
everybody is as nice as possible. But, heavens, how I have eaten my
heart out over that all this month in London!"
She poked the fire with a certain viciousness, feeling that she pricked
these bubbles of senseless fear as she pricked the bubbling gas of the
burning coal.
"All in vain," she said; "I have been making myself--no, not miserable,
because I can't be otherwise than happy, but disquieted with all sorts
of foundationless fears. I thought people would disregard--yes, it is
that--would disregard Evelyn and me; would talk of the fine day instead.
And then, you see, Evelyn would also have nothing to do, nobody would
want to be painted by him. We should be miserably poor; he would have to
paint all sorts of things he had no taste for just to get a guinea or
two and keep the pot boiling. Ah, I shouldn't have minded that--the
poverty, I mean--but what I should mind would be that he should have to
work at what he felt was not worth working at. Don't you see?"
Public-domain text, read in full here on John Shaqi.
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