Evelyn shook himself free.
"Ah, let me be," he said. "I don't want anything else. Besides, as you
have told me before, you yourself dislike and detest suffering or pain.
But how can you hope to understand Nature at all if you leave all that
aside? Why, man, the whole of Nature is one groan, one continuous
preying of creature on creature. In your life in the New Forest you
leave all that out."
Tom Merivale paused.
"I know I do," he said, "because I want to grasp first, once and for all
the huge joy that pervades Nature, which seems to me much more vital in
itself than pain. It seems to me that pain may be much more rightly
called absence of joy than joy be called absence of pain. What the whole
thing starts from, the essential spring of the world is not pain and
death, but joy and life."
"Ah, there I am with you. But there is so much joy and life on the
surface of things that I don't wish to probe down. Ah, Tom, a day like
this now; woven webs of blue heat, hot scents from the flower beds, the
faces of our friends. Is that not enough? It is for me. And, talking of
faces, Miss Ellington has the most perfectly modelled face I ever saw.
The more I look at it, the more it amazes me. I stared at her all
breakfast. And the charm of it is its consistent irregularity; not a
feature is anything like perfect, but what a whole! I wish I could do
her portrait."
Tom laughed.
"There would not be the slightest difficulty about that, I should say,"
he remarked, "if you promise to present it to her mother."
"Why, of course, I would. How funny it must feel to be hard like that.
She is very bruising; I feel that I am being hit in the eye when she
talks to me. And she knows how many shillings go to a sovereign."
"Twenty," remarked Tom.
"Ah, that is where you are wrong. She gets twenty-one for each of her
sovereigns. And thirteen pence for each of her shillings, and the
portrait of her daughter for nothing at all. Oh, Tom, think of it--with
a background of something blue, cornflower, forget-me-nots, or lilac, to
show how really golden her hair is. There's Mrs. Home."
Evelyn whistled with peculiar shrillness on his fingers to the neat
little figure on the croquet lawn below them. She started, not
violently, for nothing she did was violent, but very completely.
"Ah, it is only you," she said. "I thought it might be an express train
loose. Are you not going on the river, dear Evelyn?"
"I was prevented," he said, jumping down the steps in one flying leap.
"Dear Philippina----"
"What next? What next?" murmured Mrs. Home. "Oh, do behave, Evelyn."
"Well, Philip is your son, so you are Philippina. But why have
prize-fighters in your house?"
"Prize-fighters?"
Public-domain text, read in full here on John Shaqi.
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