"Oh, Madge, such a discovery!" he cried. "Blanket here, sheet here, a
coverlet with silk on the top, and the paper--it is a Morris willow
paper. I found that out. And I want breakfast."
Yet somehow Madge's heart sank at his elation. The Evelyn who spoke was
the old Evelyn: it was in such a voice and with such joy of discovery
that he had told her at Pangbourne how the purple of the clematis would
heighten the value of the pink and butter-haired Jewess who sat in the
centre. There was just the same triumphant ring about it. And as such
it was unnatural; she feared he was recovering too quickly: for this
elation there would be a corresponding depression. It was too sudden to
satisfy her. All this was instantaneous and instinctive; she feared
really without knowing she feared. But she had come prepared for the
further development of his newly-awakened interest in the senses that
resided in fingers, and had brought with her some small objects of
baffling shape. She had, too, in her hand Philip's letter.
The first two or three were easy to him. A knife certainly, but a knife
with no edge to it. And of this he talked.
"Dessert knife," he said. "No, not dessert knife, because the blade of a
dessert knife would, anyhow, be as cold as the handle, even if both were
made of metal. And the blade of this is warmer than the handle. Oh,
shade of Sherlock Holmes! Cold handle, warmer blade. Oh, Madge, how
easy. Paper-knife of course; silver handle, ivory cutter. Ask another."
"I haven't asked how you are yet," said she.
"Quite well. And I want breakfast. I say, Madge, do you know just for
the moment, I don't mind being blind. You see there's a new sense to
cultivate. I always love experiments. Ah, damn it, there's no colour
left. But there is shape; somehow, I feel there's a lot to learn in
shape. There's warmth, too; of course I knew that ivory was warmer--less
cold than metal, but now I have found it true without help. Give me
another."
This time it was an absurd Dutch cow, spindle-legged and huge of body
and head, a cream-jug cow, into which the cream was put via an aperture
in the back, on which sat a gigantic fly, and from which, _via_ the
mouth, it was conveyed to tart. This was puzzling, and he thought aloud
over it.
"Four legs," he said, "as thin as a stag's. So where's the head? That
won't do; horn each side, and--good Lord! what's this on the middle of
the back? It's movable, too. Shall I break anything?"
"Not if you are not violent."
"Well, a big head with a switch-horn, and a mouth, why it's from ear to
ear. And a lid on the abortion's back. Tail--is it a tail; oh, yes, it
must be, it comes from there--curled up till it nearly reaches the hole
in the back."
He paused a moment, feeling it with nimble fingers, and though Madge
could not see his forehead, she knew from his mouth that he was
frowning. Then it came to him.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account