"Then one morning I fainted, and they told me to ease off. So I went
down into the country and stayed with the Hermit, who, I think, lived
the happiest life that was ever lived on this earth. It was the contrast
between him and me perhaps that first suggested to me whether it was
worth while to hate, as I was hating, for that as far as I know was the
beginning of what happened afterwards. It made me also throw away
something I had bought in order to kill myself--never mind that. Then
one night he talked about pain, on which he had turned his back, and
told me that though he could not understand how or why it was necessary,
it perhaps might be, and that he was willing himself, if so, to face
anything that might be in store for him. And then, I must suppose that
little lump of leaven began to work, because that night--we had talked
also about free will--I asked myself if I chose, deliberately chose, to
be bitter and hating. And I found I did not.
"It was not long after that--a week, I suppose--that the end came. By
then I knew but this for certain, that I was not deliberately hard any
longer. It was the contemplation of happiness and serenity that had
produced that; I had begun also not to stare at a blank wall that had
seemed to face me, but to say to myself that there was no wall except
that of my own making. Do you know Watts' picture of Hope? Of course you
do. Well, I thought all my strings were broken, but they were not. There
was just one left. But that I knew must inevitably break if I continued
to be black and bitter. My bitterness had corroded it already."
Philip paused a moment.
"I am jawing dreadfully about myself," he said.
"Go on," said she.
"Tom died in the night. I don't want to tell you that in detail, but he
died because he saw or thought he saw some revelation of the pain and
sorrow of the world. Whether he imagined it or not, and whether what I
thought I saw was imagination only, I don't really care. He was sleeping
in a hammock out of doors, and suddenly his cry rent the night. He
called on God and on Christ. And when I went out I thought I saw a
shadow like some dreadful goat skip from him. And he was dead.
"Now, how one learns anything I don't know. But what I learned was pity
for sorrow. And so, dear Madge, I am here."
Again her hand sought his.
"Oh, Philip, Philip," she said. "What can I say to you? How could I
guess what love was till I felt it? Ah, I don't say that in excuse--you
know that."
"No, dear. It is no question of excuses, of course. And I have only told
you all this that you may never need to look for any, and that you may
understand that I am sorry for having been so bitter. And if you forgive
that"--and the pressure of her hand answered him--"let us leave the past
forever behind us, and look forward only. But it was better to have
talked of it just once, so that we may dismiss it. Now, tell me about
Evelyn."
Public-domain text, read in full here on John Shaqi.
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