"Oh, I can't haggle," he said. "Yes, I'll paint you if you like. But I
will paint Miss Ellington first. In fact, you shall be painted when I've
nothing else to do. Well, Hermit, seen Pan to-day?"
"No, you scoffer," said Tom.
"Call me when you do. I should like to see him, too. Let's see, he was a
man with goat's legs; sort of things you see in Barnum's."
Tom shifted in his chair.
"Some day, perhaps, you may think it serious," he said.
"I daresay; a man with goat's legs is not to be taken lightly," said
Evelyn. "And he sits by the roadside, doesn't he, or so Browning says,
playing the pipes? What pipes, I wonder? Bagpipes, do you suppose?"
Tom laughed; his equanimity was quite undisturbed even by chaff upon
what was to him the most serious subject in the world.
"Ah, who was frightened at a nightingale coming to sit on my finger a
few nights ago? Evelyn, if you are not serious, I'll frighten you
again."
"Well, but is it bagpipes?" asked he.
Tom suddenly got grave.
"No, it sounded more like a glass flute very far off," he said. "No
explanations are forthcoming, because I haven't got any."
Evelyn was silent a moment.
"And when did you hear this glass flute very far off?" he asked.
"Two mornings ago, up above the house in that big clearing in the
woods," he answered. "I know nothing more about it. It frightened me
rather, and then it stopped."
"What did it play?" asked Philip.
"A world-without-end tune," he said. "The catechising is now over. I
shall go to bed, I think. I must leave to-morrow, Philip."
"I hoped you would stop a day or two longer. Must you really go?"
"I must, I find."
"Appointment with Pan in the New Forest," remarked Evelyn, dodging the
cushion that was thrown at him.
Philip had to spend the inside of the next day in London, and left with
Tom Merivale by an early train, leaving Evelyn alone with his mother,
Lady Ellington, and Madge. It came about very naturally that Lady
Ellington gravitated to Mrs. Home, and Evelyn, finishing his background
sketch in front of a great clump of purple clematis, found Madge on the
terrace when he went out, with an unopened book on her lap.
The book had lain there, indeed, in the same state for half an hour
before he came, for Madge had been very fully occupied with her own
thoughts. She had had a talk to her mother the night before, which this
morning seemed to her to be more revealing of herself than even her own
confession to Philip in their stroll on the terrace had been. She had
told her just what she had told him, namely, that she gave him very
willingly all that she knew of herself, liking, esteem, respect, adding
out of Philip's mouth that this more than contented him. But then Lady
Ellington, for the first time perhaps for many years, had made a
strategical error, allowing her emotion, not her reason, to dictate to
her, and had said--
"Ah, Madge, how clever of you."
Public-domain text, read in full here on John Shaqi.
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