Then the difficulties, each to be met and overcome, began to swarm thick
about her. First and foremost there was the portrait, for which she was
engaged to give him a sitting to-morrow. That, at any rate, as far as
this particular sitting was concerned, was easily managed, a note of
three lines expressing regret did that. This, however, was only a
temporary measure, it but put off for this one occasion the necessity of
meeting what lay before her. For she knew she must not sit to him again;
she dared not risk that, she must not give this strange new rapture in
her heart the food that would make it grow. Yet, again, she must not act
like a mad-woman, and what reasonable cause could she give for so
strange a freak? Perhaps if she went there with Philip, or if she took
her mother with her.
Yet that did not dispose of the question. Evelyn was one of her future
husband's warmest friends. In the ordinary course of things they must
often meet, but till she had conquered herself, made sure of herself,
such meetings were impossible. And how could she ever be sure of
herself, to whom had come this utterly unlooked for thing, a thing so
unlooked for that only a few weeks before she had consented to its being
dismissed as a practical impossibility?
Then came a thought which, for the very shame of it, was bracing. Not by
word or look or sign had Evelyn ever showed that he regarded her with
the faintest feeling that answered hers. She remembered well the rise of
the full moon on the terrace of Philip's house above Pangbourne, how he
had called attention to it, merely to point out that it was not in
drawing, how she herself on that occasion had noticed how different he
was to the ordinary moonlight-walker. No hint of sentiment, no sign of
the vaguest desire towards the most harmless flirtation had appeared in
him then, nor had any appeared since. While she was sitting to him, half
the time he scowled at her, the other half he bubbled with boyish
nonsense. For very shame she must turn her back on the dawn.
Dinner was to be early to-night, as the objective was Melba and the
opera, and her maid came in to tell her that dressing-time was already
overstepped. She got up, but paused for a moment at the window, looking
out from Buckingham Gate over the blue haze that overhung St. James'
Park, driving her resolution home. She half-pitied, half-spurned
herself, telling herself at one moment that it was hard that she had to
suffer thus, at another that she was despicable for thinking of
suffering when her road was so clearly marked for her. If what had
happened was not her fault, still less should there be any fault of hers
in what should happen. Clearly the future was in her own control; of
the future she could make what she would.
Public-domain text, read in full here on John Shaqi.
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