The Angel of the Gila: A Tale of ArizonaMarsland, Cora
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The Angel of the Gila: A Tale of Arizona
Marsland, Cora
Arizona -- Fiction; Love stories; Women teachers -- Fiction
Esther stood a moment, watching the easy, graceful stride of the young
engineer. His words then, and long afterwards, rang in her
ears,--"Help us to make something of our lives yet." And as the words
echoed in her heart, a voice aged and full of tender love, came to her
like an old refrain,--"Go, my child, the Lord hath need of thee."
She lifted her face and looked into the sky. Suddenly she became
conscious of the beauty of the hour. The violet light of evening
played about her face and form. She forgot the flowers in her arms,
forgot the sunset, and stood absorbed in prayer.
CHAPTER V
THE ROCKY MOUNTAIN BALL
It was the day of the ball. Parties of mountaineers, some on
horseback, some in wagons, started for Jamison Ranch.
In the early evening, a wagon load made up of the members of the
Clayton household, Kenneth Hastings and some Scotch neighbors, started
for the same destination.
The road skirted the foothills for some distance, then followed the
canyon several miles; and then, branching off, led directly to Jamison
Ranch. As the twilight deepened into night, Nature took on a solemn
and mysterious beauty. The rugged outline of the mountains, the valley
and river below,--were all idealized in the softening light. The New
England girl sat drinking in the wonder of it all. The mountains were
speaking to her good tidings of great joy.
In the midst of merry chatter, some one called out:
"Sing us a song, Miss Bright."
It was Kenneth Hastings. Hearing her name, she roused from her
reverie.
"A song?"
"Yes, do sing," urged several.
"Sing 'Oft in the Stilly Night,'" suggested Mrs. Clayton.
"All sing with me," responded Esther.
Then out on the stillness floated the beautiful old Irish song. Other
voices joined Esther's. Kenneth Hastings was one of the singers. His
voice blended with hers and enriched it.
Song after song followed, all the company participating to some extent
in the singing.
Was it the majesty of the mountain scenery that inspired Esther, that
sent such a thrill of gladness into her voice? Or was it perhaps the
witchery of the moonlight? Whatever may have been the cause, a new
quality appeared in her voice, and stirred the hearts of all who
listened to her singing; it was deep and beautiful.
What wonder if Kenneth Hastings came under the spell of the song and
the singer? The New England girl was a breath of summer in the hard
and wintry coldness of his life.
"Who taught you to sing?" he asked abruptly.
"The birds," she answered, in a joyous, laughing tone.
"I can well believe that," he continued, "but who were your other
instructors?"
Then, in brief, she told him of her musical training.
Would she sing one of his favorite arias some day? naming the aria.
She hummed a snatch of it.
"Go on," he urged.
"Not now; some other time."
"Won't you give us an evening recital soon?" asked John Clayton.
And then and there the concert was arranged for.
Public-domain text, read in full here on John Shaqi.
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