The Angel of the Gila: A Tale of Arizona — John Shaqi
The Angel of the Gila: A Tale of ArizonaMarsland, Cora
General
The Angel of the Gila: A Tale of Arizona
Marsland, Cora
Arizona -- Fiction; Love stories; Women teachers -- Fiction
The teacher stepped out into the living room, which was in festive
array. Its picturesqueness appealed to her. A large fire crackled on
the hearth, and threw its transforming glow over the dingy adobe
walls, decorated for the occasion with branches of fragrant silver
spruce. Blocks of pine tree-trunks, perhaps two feet in height, stood
in the corners of the room. Each of these blocks contained a dozen or
more candle sockets, serving the purpose of a candelabrum. Each of the
sockets bore a lighted candle, which added to the weirdness of the
scene.
The room was a unique background for the men and women gathered there.
At least twenty of the mountaineers had already assembled. They had
come at late twilight, and would stay till dawn, for their journey
lay over rough mountain roads and through dangerous passes.
The guests gathered rapidly, laughing and talking as they came.
It was a motley crowd,--cowboys, in corduroy, high boots, spurs,
slouch hats, and knives at belt, brawny specimens of human kind;
cowlasses, who for the time, had discarded their masculine attire of
short skirts, blouse, belt and gun, for feminine finery; Scotchmen in
Highland costume; Mexicans in picturesque dress; English folk, clad in
modest apparel; and Irishmen and Americans resplendent in colors
galore.
For a moment, Esther stood studying the novel scene. Mr. Clayton,
observing her, presented her to the individuals already assembled. The
last introduction was to a shambling, awkward young miner. After
shaking the hand of the teacher, which he did with a vigor quite
commensurate to his elephantine strength, he blurted out, "Will yez
dance a polky wid me?"
She asked to be excused, saying she did not dance.
"Oh, but I can learn yez," he said eagerly. "Yez put one fut so, and
the other _so_," illustrating the step with bovine grace as he spoke.
His efforts were unavailing, so he found a partner among the
cowlasses.
Again Esther was alone. She seated herself near one of the improvised
pine candelabra, and continued to study the people before her. Here
she found primitive life indeed, life close to the soil. How to get at
these people, how to learn their natures, how to understand their
needs, how to help them,--all these questions pressed upon her. Of
this she was sure:--she must come in touch with them to help them.
Men and women older and more experienced than she might well have knit
their brows over the problem.
She was roused to a consciousness of present need by a piercing cry
from one of the infants in the adjoining room. The helpless cry of a
child could never appeal in vain to such a woman as Esther Bright. She
returned to the bedroom, lifted the wailing bundle in her arms, seated
herself in a rocker, and proceeded to quiet it. Kenneth Hastings stood
watching her, while an occasional smile flitted across his face. As
John Clayton joined him, the former said in a low tone:
"Do you see Miss Bright's new occupation, John?"
Public-domain text, read in full here on John Shaqi.
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