Mate selection -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
“Oh, does it? To be sure, he would have a secretary. Pity he is blind!
And the secretary would be able to write a good letter. It’s not
remarkable; clear, intelligent, a good letter. His secretary must need
patience--and no other interests. I suppose he might be more likely
to get that in a woman, but I should want a man. However, he can get
a woman sufficiently trained for his requirements at a lower salary
than a man’s. Anne Dallas, you said? Not a Cleavedge name. Where did
he find her? I hope she doesn’t annoy him, but if she is ugly he can’t
see it! It would be horrible to a poet to have an ugly woman under his
beauty-loving eyes all day, week in, week out. I wonder--but of course
you don’t know, you don’t visit Mr. Latham. She can’t be a Cleavedge
woman, I should think?”
Miss Carrington talked on lightly, not overdoing her carelessness, but
with a voice silvery and indifferent. She watched Kit as she talked and
saw him redden, trying boyishly to appear at ease.
“She isn’t a Cleavedge girl; she came from Connecticut, Aunt Anne,” Kit
said.
“That’s a state I like!” Miss Carrington approved, heartily. “It’s
odd--kindly, too--the present fashion of calling unattached women
girls. The letter sounded mature. I suppose it is because she is
earning her living that you speak of her as a girl. Is she a widow?
Didn’t--no; you didn’t call her Miss Dallas.”
“Good gracious, no; she isn’t a widow!” cried Kit, and instantly
regretted his vehemence, for his aunt raised her eyebrows. “Miss Dallas
is young; she is a girl, a girl with a lot of girlhood in her; the kind
they used to call ‛maidenly,’ you know,” Kit continued.
“I suppose you are forced to speak of maidenly as an obsolete term,
Kit, my dear, because what it stood for is out of fashion,” observed
Miss Carrington. She had found out all that she wanted to know for this
time and was too wise to pursue the subject.
“Of course I don’t for an instant mean that girls are at heart
less maidenly. That is a quality necessary to every generation, if
civilization is to continue. But the outward and visible sign of that
special inward grace is not worn as it was. I confess to regretting
it. I claim to be modern, but it really was in beautiful good
taste. I suppose a few exceedingly well-bred girls will retain that
efflorescence to the end of the chapter, but the present fashion gives
such horrible scope to bad taste! I found Helen Abercrombie refreshing
last summer when she visited us. There’s a well-bred girl!”
“But hardly maidenly,” Kit could not refrain from saying, though he
knew that it was indiscreet. “Miss Abercrombie is a finished product,
of course, but she’s too--too---- Oh, well, you know, Aunt Anne!
You’re an analyst of the first water! Too finished a product and
up-to-the-minute, too architectural to be maidenly.”
Public-domain text, read in full here on John Shaqi.
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