The Antiquarian Magazine & Bibliographer; Vol. 4, July-Dec 1884Various
History
The Antiquarian Magazine & Bibliographer; Vol. 4, July-Dec 1884
Various
Archaeology -- Periodicals; Great Britain -- Antiquities -- Periodicals
We must give an especial meed of praise to the spirited style in which
the story of Sir William Brereton, who was such an excellent type of the
higher class of the Parliamentarian soldier, is told. As the author
remarks, to tell the history of his life is to write the record of the
Civil war in the north-west of England. This he has told impartially and
excellently, and in a style of narrative which can scarcely be too
highly commended for its clearness and freedom from inflation. The pages
of the work are enlivened by apt poetical quotations, many of them from
little known old English poets, which show that Mr. Croston’s reading
has been various and extensive. The book should find favour with more
than local readers; old Moreton Hall, for instance, is one of those
“stately homes of England” in which a national interest is felt; and
none who love the quaintly venerable, albeit decayed, mansions of our
forefathers, can fail to be grateful to the writer for his graphic and
appreciative chapter on one of the most ancient and interesting of them.
Moreton Hall[12] is almost peculiar for its wealth of rich carving and
mouldings, from the entrance, with its two side-posts, each carved to
represent a soldier bearing a partisan, to the beautiful little chapel,
now, alas! degraded to the service of a cattle-shed, lumber, storehouse,
and such base uses. In the “long gallery,” which our author compares to
the banquetting-room at Haddon Hall, are two draped figures of Fate and
Fortune, admirably illustrating the difference between two terms
frequently confounded with each other. Fate bears a sword, with which
she pierces a globe above her head, and the inscription beneath is: “The
speare of destinye whose ruler is knowledge;” while opposite to her is
Fortune, blindfolded, pointing to her wheel, and her motto is: “The
wheele of Fortune whose rule is ignorance.” This part of the mansion
also gathers additional interest from the tradition that “Good Queen
Bess” condescended to dance in the gallery, while on a visit to Moreton
Hall during one of her royal progresses. If this be true, it is very
possible that her visit may have contributed to the decline rather than
to the exaltation of the family; for to have a Tudor sovereign as a
guest was, in those days, much the same kind of undesirable honour as
the gift of a sacred white elephant from the Burmese king to some
subject whom he delights to honour--and to ruin. Witness the clean sweep
which the royal Dame contrived to make of the riches of Kenilworth, when
Leicester’s Earl paid so dearly for a glance from royal eyes.
Public-domain text, read in full here on John Shaqi.
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