Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 53083-h.htm or 53083-h.zip: (http://www.gutenberg.org/files/53083/53083-h/53083-h.htm) or (http://www.gutenberg.org/files/53083/53083-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/antiquitiesofcon00gill Transcriber’s note: Text enclosed by underscores is in italics (_italics_). Text enclosed by equal signs is in blackletter (=blackletter=). See additional notes at the end of the book. [Illustration: IMP CONSTANTINVS P F AVG FUNDAVIT CONSTANTINOP. ANNO CCCXXX. _From Angeloni._ _J. Tinney Sculp._] THE =Antiquities= OF CONSTANTINOPLE. With a DESCRIPTION of its _SITUATION_, the Conveniencies of its PORT, its _PUBLICK BUILDINGS_, the Statuary, Sculpture, Architecture, _and other_ _CURIOSITIES_ of that CITY. With CUTS explaining the Chief of them. =In Four Books.= _Written Originally in_ Latin _by_ PETRUS GYLLIUS _A BYZANTINE HISTORIAN_. Now Translated into _English_, and Enlarged with an Ancient _Description_ of the WARDS of that CITY, as they stood in the Reigns of _Arcadius_ and _Honorius_. With _Pancirolus’s NOTES_ thereupon. _To which is added A large Explanatory INDEX._ By JOHN BALL, formerly of _C. C. C. Oxon._ ——_Res Antiquæ laudis, et artis Ingredior._—— Vir. Geo. 2. LONDON. Printed for the Benefit of the Translator, 1729. _J. Tinney Sculp._ [Illustration: Page Header Decoration] TO RICHARD BANNER, Esq; OF _PERRY-HALL_, IN THE County of _STAFFORD_. SIR, No sooner had my Inclinations prevail’d upon me to publish this Author, but my Gratitude directed me where I should make the Dedication. These Labours are yours by many Obligations. Your Services to me demand them, you have express’d a particular Esteem for Pieces of this Kind, you have assisted me with a valuable Collection of Books in the Translation of them, and you have encourag’d the Performance by the Interest of your Friends; so that if there be any Merit in the Publication of it, ’tis you who are entitled to it. The Knowledge of _Antiquity_ was always look’d upon as a Study worthy the Entertainment of a Gentleman, and was never in higher Estimation among the Nobility and Gentry of _Great Britain_ than it is now. And this Regard which the present Age pays to it, proceeds from a wise Discernment, and a proportionable Value of Things. For we never entertain our Curiosity with more Pleasure, and to better Purposes, than by looking into the Art, and Improvement, and Industry of antient Times, and by observing how they excited their Heroes and great Men to virtuous and honourable Actions by the Memorials of _Statuary_ and _Sculpture_; the silent Records of their Greatness, and the lasting History of their Glory.