Criminals -- Fiction; New York (State) -- Social life and customs -- Fiction
“An' be yez goin' to let him get away wit' it?” demanded the Wop.
“W'at can we do?” asked the Grabber, disconsolately.
“It's that big blonde,” declared Jew Yetta' with acrimony. “She's goin'
through Louie for every dollar. I wonder Mollie Squint an' Pretty Agnes
don't put her on th' fritz.”
The Hesper Club was in Second Avenue between Sixth and Seventh Streets.
It was one o'clock in the morning when Indian Louie took his accustomed
seat at the big table in the corner.
“How's everybody?” he asked, easily. “I oversleeps meself, or I'd been
here hours ago.”
“W'at tires you?” asked Candy Phil. Not that he cared, but merely by way
of conversation.
“It's th' big feed last night at Terrace Garden. I'm two days trainin'
for it, an' all day gettin' over it. Them swell blowouts is something
fierce!” and Louie assumed a wan and weary air, intended to be superior.
“So you was at Terrace Garden?” said Nigger Ruhl.
“Was I? Youse should have seen me! Patent leathers, white choker, and a
diamond in th' middle of me three-sheet big enough to trip a dog.”
“There's nothin' in them dress suits,” protested Maxie Hahn. “I'm
ag'inst 'em; they ain't dimmycratic.”
“All th' same, youse've got to wear 'em at these swell feeds,” said
Candy Phil. “They'd give youse th' gate if you don't. An' as for not
bein' dimmycratic”--Candy Phil had his jocose side--“they make it so you
can't tell th' high-guys from th' waiters, an' if that ain't dimmycratic
what is? Th' only thing I know ag'inst 'em is that youse can't go to th'
floor wit' a guy in 'em. You've got to cut out th' scrappin', an' live
up to the suit, see?” The Grabber strolled in, careless and smiling.
Louie fastened him with eyes of dark suspicion, while Maxie Hahn, the'
Lobster Kid and Candy Phil began pushing their chairs out of the line of
possible fire. For they knew of those monetary differences.
“Not a chance, sports,” remarked the Grabber, reassuringly. “No one's
goin' to start anything. Let's take a drink,” and the Grabber beat upon
the table as a sign of thirst. “I ain't after no one here.”
“Be youse alludin' to me, Grabber?” asked Louie, with a frown like a
great cloud. “I don't like them cracks about startin' somethin'.”
“Keep your shoit on,” expostulated the Grabber, clinking down the change
for the round of beers; “keep your shoit on, Louie. I ain't alludin'
at nobody nor nothin', least of all at youse. Besides, I just gets a
message for you--only you don't seem in no humor to receive it.”
“Who's it from?” asked Louie.
“It's Laura”--Laura was the opulent blonde--“Mollie Squint an' Pretty
Agnes runs up on her about an hour ago at Twelfth Street an' Second
Avenoo, an' Mollie bounces a brick off her coco. A copper comes along
an' chases Mollie an' Pretty Agnes. I gets there as they're carry in'
Laura into that Dago's joint be th' corner. Laura asks me if I sees
youse to tell w'at's happened her; that's all.”
Public-domain text, read in full here on John Shaqi.
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