The apiary; or, bees, bee-hives, and bee culture [1878]: being a familiar account of the habits of bees, and the most improved methods of managementNeighbor, Alfred
Science
The apiary; or, bees, bee-hives, and bee culture [1878]: being a familiar account of the habits of bees, and the most improved methods of management
Certainly the bees are partially of an orange or golden colour, and if
one could believe the golden anticipations indulged in by M. Hermann
respecting them, these would be sufficient to identify the Italian bee
as the species described by Hood in "Miss Kilmansegg"--those which
dwelt in
"A golden hive, on a golden bank,
Where golden bees, by alchemical prank,
Gather gold instead of honey."
In the pamphlet referred to, M. Hermann gives the following description
of what he insists on designating as _Apis helvetica_: "The Yellow
Italian Alp bee is a mountain insect; it is found between two mountain
chains to the right and left of Lombardy and the Rhetian Alps, and
comprises the whole territory of Ticino, Val Tellina, and the
southern Grisons.[9] It thrives up to the height of 4,500 feet above
the level of the sea, and appears to prefer the northern clime to the
warmer, for in the south of Italy it is not found. The Alps are their
native country, therefore they are called Yellow Alp or tame house
bees, in contradistinction to the black European bees, which we might
call common forest bees, and which, on the slightest touch, fly like
lightning into your face.[?]
[Footnote 9: Otherwise _Tessin_, _Veltlin_ (French _Valteline_), and
the southern _Graubünden_. Von Berlepsch names the localities they
inhabit as Genoa, Venetia, Lombardy, and the southern valleys of the
Grisons bordering upon Italy.]
"As all good and noble things in the world are more scarce than common
ones, so there are more common black bees than of the noble yellow
race, which latter inhabit only a very small piece of country, while
the black ones are at home everywhere in Europe, and even in America."
Public-domain text, read in full here on John Shaqi.
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