The Apple-Tree Table, and Other Sketches — John Shaqi
The Apple-Tree Table, and Other SketchesMelville, Herman
General
The Apple-Tree Table, and Other Sketches
Melville, Herman
American fiction -- 19th century; Short stories, American
forward to the coming of a great literary genius among us, they somehow
fancy he will come in the costume of Queen Elizabeth's day; be a writer
of dramas founded upon old English history or the tales of Boccaccio.
Whereas, great geniuses are parts of the times, they themselves are
the times, and possess a corresponding coloring. It is of a piece with
the Jews, who, while their Shiloh was meekly walking in their streets,
were still praying for his magnificent coming; looking for him in a
chariot, who was already among them on an ass. Nor must we forget that,
in his own lifetime, Shakspeare was not Shakspeare, but only Master
William Shakspeare of the shrewd, thriving, business firm of Condell,
Shakspeare and Co., proprietors of the Globe Theatre in London; and by
a courtly author, of the name of Chettle, was looked at as an "upstart
crow," beautified "with other birds' feathers." For, mark it well,
imitation is often the first charge brought against originality. Why
this is so, there is not space to set forth here. You must have plenty
of sea-room to tell the Truth in; especially when it seems to have an
aspect of newness, as America did in 1492, though it was then just as
old, and perhaps older than Asia, only those sagacious philosophers,
the common sailors, had never seen it before, swearing it was all water
and moonshine there.
Now I do not say that Nathaniel of Salem is a greater man than William
of Avon, or as great. But the difference between the two men is by no
means immeasurable. Not a very great deal more, and Nathaniel were
verily William.
This, too, I mean, that if Shakspeare has not been equalled, give the
world time, and he is sure to be surpassed in one hemisphere or the
other. Nor will it at all do to say that the world is getting grey and
grizzled now, and has lost that fresh charm which she wore of old, and
by virtue of which the great poets of past times made themselves what
we esteem them to be. Not so. The world is as young to-day as when it
was created; and this Vermont morning dew is as wet to my feet, as
Eden's dew to Adam's. Nor has nature been all over ransacked by our
progenitors, so that no new charms and mysteries remain for this latter
generation to find. Far from it. The trillionth part has not yet been
said; and all that has been said, but multiplies the avenues to what
remains to be said. It is not so much paucity as superabundance of
material that seems to incapacitate modern authors.
Public-domain text, read in full here on John Shaqi.
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