The Apple-Tree Table, and Other SketchesMelville, Herman
General
The Apple-Tree Table, and Other Sketches
Melville, Herman
American fiction -- 19th century; Short stories, American
While from certain cheap furbishings to which the exterior had been
subjected, such as removing a fine old pulpit-like porch crowning
the summit of six lofty steps, and set off with a broad-brimmed
sounding-board overshadowing the whole, as well as replacing the
original heavy window shutters (each pierced with a crescent in the
upper panel to admit an Oriental and moony light into the otherwise
shut-up rooms of a sultry morning in July) with frippery Venetian
blinds; while, I repeat, the front of the house hereby presented an
incongruous aspect, as if the graft of modernness had not taken in its
ancient stock; still, however it might fare without, within little or
nothing had been altered. The cellars were full of great grim, arched
bins of blackened brick, looking like the ancient tombs of Templars,
while overhead were shown the first-floor timbers, huge, square, and
massive, all red oak, and through long eld, of a rich and Indian color.
So large were those timbers, and so thickly ranked, that to walk in
those capacious cellars was much like walking along a line-of-battle
ship's gun-deck.
All the rooms in each story remained just as they stood ninety years
ago with all their heavy-moulded, wooden cornices, paneled wainscots,
and carved and inaccessible mantels of queer horticultural and
zoological devices. Dim with longevity, the very covering of the walls
still preserved the patterns of the times of Louis XVI. In the largest
parlor (the drawing-room, my daughters called it, in distinction
from two smaller parlors, though I did not think the distinction
indispensable) the paper hangings were in the most gaudy style.
Instantly we knew such paper could only have come from Paris--genuine
Versailles paper--the sort of paper that might have hung in Marie
Antoinette's boudoir. It was of great diamond lozenges, divided by
massive festoons of roses (onions, Biddy the girl said they were,
but my wife soon changed Biddy's mind on that head); and in those
lozenges, one and all, as in an over-arbored garden-cage, sat a grand
series of gorgeous illustrations of the natural history of the most
imposing Parisian-looking birds; parrots, macaws, and peacocks, but
mostly peacocks. Real Prince Esterhazies of birds; all rubies, diamonds
and Orders of the Golden Fleece. But, alas! the north side of this
old apartment presented a strange look; half mossy and half mildew;
something as ancient forest trees on their north sides, to which
particular side the moss most clings, and where, they say, internal
decay first strikes. In short, the original resplendence of the
peacocks had been sadly dimmed on that north side of the room, owing
to a small leak in the eaves, from which the rain had slowly trickled
its way down the wall, clean down to the first floor. This leak the
irreverent tenants, at that period occupying the premises, did not see
fit to stop, or rather, did not think it worth their while, seeing that
Public-domain text, read in full here on John Shaqi.
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