In this inquiry the labours of the literary antiquary, however zealously pursued, will but little avail us in reaching the desired point. The antiquary, nevertheless, has been long familiar with the elements of this older history, though turning them to very much the same profitable account as, till a very recent period, he did the hieroglyphic records graven on the granite tablets along the Nile. The first of arts mentioned by Newton is letters; justly first in point of dignity and universal value. Far homelier arts, however, sufficed the primitive races of mankind. Humble were their wants, and limited their desires; and if we are justified by the records of creation preserved to us in the Mosaic narrative, in assuming that man, beginning with the woven garment of fig-leaves and the coat of skins, has slowly progressed through successive stages to the knowledge of nobler arts, and the higher wants of an intelligent being, then we have only to establish evidence of the most primitive arts, pertaining to the primeval race, in order to be assured that we have reached the true beginning at which we aim. In the general investigation, indeed, allowance must be made for the speedy loss of antediluvian metallurgic arts which would follow almost of necessity on the exodus of the primitive nomades from their Eastern birthland, though preserved perhaps by the founders of the first Asiatic kingdoms, and probably practised by the earliest colonists of the Nile valley. Such at least we shall find to have been the case with the primeval colonists of Britain. This point it is at which the modern archæologist now directs his inquiries, not altogether without the anticipation that these same primitive arts, the product of the beginning of things, may also prove to contain a decipherable alphabet, which may be resolved into definite phonetics, and furnish the key to many inscriptions no less curious and valuable than the parchments of medieval charter-chests, or even the tablet of Abydos and the Rosetta Stone.