The archæology of Rome, Part 7 : $b The Flavian amphitheatre, commonly called the ColosseumParker, John Henry
History
The archæology of Rome, Part 7 : $b The Flavian amphitheatre, commonly called the Colosseum
Parker, John Henry
Rome -- Antiquities
Down the centre of the building, for the whole length, is a wide passage,
which was called _the gulf_[10], and which was necessary for sending
up the scenery, of which we read frequently, and which must have been
put together below, and then sent up to the stage, as wanted, by means
of this passage; there is no room for it anywhere else, and there was
no place behind the scenes for the actors and workmen, as in a modern
theatre. On each side of this great central passage are remains of two
canals for water, each about ten feet square, and about the same height
from the ground[11]; these were evidently filled with water supplied from
the aqueducts, and unmistakable traces of three reservoirs for water from
the aqueducts have been found in the first gallery. The four canals are
not all quite of the same period, nor on the same plan; one on each side
was supported on flat arches of brick of the third century, the other
on large beams of wood; the places to receive the ends of the beams are
left in the walls on each side of the passage for the workmen under it.
These walls are of such a thickness in proportion to their height, that
they were evidently made to support the great weight of water; these very
thick walls served instead of the great projection of the buttresses of
the usual reservoirs of the aqueducts.
There is no bond or junction of any kind between this _brick_ theatre,
or amphitheatre, and the magnificent _stone_ corridors and grand front
of the Flavian Emperors; these have evidently been added to a brick
building previously existing in the centre[12]. It had long been a matter
of wonder to all the great architects of Europe how it could be possible
to collect such an enormous mass of material of all kinds, and put them
together in ten years; to bring that quantity of travertine stone from
the quarries at Tivoli, twenty miles off, cut it, and erect it, was in
itself an enormous work. This gigantic building is in round numbers 500
ft. long, 300 ft. wide, and 120 ft. high above the foundations, and the
grand corridors are double all round, with the _vomitoria_, or stairs
from the seats at short intervals, and there are altogether six storeys,
including the _entresols_.
Public-domain text, read in full here on John Shaqi.
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