The archæology of Rome, Part 7 : $b The Flavian amphitheatre, commonly called the ColosseumParker, John Henry
History
The archæology of Rome, Part 7 : $b The Flavian amphitheatre, commonly called the Colosseum
Parker, John Henry
Rome -- Antiquities
[89] This _vivarium_ is a triangular piece of ground, the wide end
of which touches the wall of the Amphitheatrum Castrense; the narrow
end is only just wide enough for the body of a man to pass through an
aperture made in it, as the ground is between a wall of Aurelian on the
inner side, and a wall of the Sessorium on the outer side, preserved by
Aurelian as an outwork. This was the scene of the celebrated ambuscade of
Belisarius, by means of which the Goths were driven away from Rome, as
described by Procopius (De Bello Gothico, lib. i. c. 22.)
[90]
PRO S. IMP. M. ANTONI . GORDIANI . PII
FELICIS AVG. ET TRANQVILLINAE SABI
NAE AVG. VENATORES IMMVN. CVM CV
STODE VIVARI PONT. VERVS MIL. COH
VI. PR. CAMPANIVS VERAX. MIL. COH. VI
PR. FVSCIVS CRESCENTIO ORD CVSTOS
VIVARI. COHH. PRAETT. ET VRBB
DIANAE AVG. D. S. EX. V. P.
DEDICATA XII. KAL. NOV.
IMP. D. N. GORDIANO AVG. ET POMPEIANO COS.
(Inscription found in Rome in 1710, and printed by Nibby, Roma Antica,
vol. i. p. 386.)
[91] A compartment of this is shewn in one of the _graffiti_, found in
the excavations of 1874.
[92] “Caius princeps in circo pegma duxit.” (Plinii Nat. Hist., xxxiii.
16.)
[93] “Ludiviæ sunt, quæ ad voluptatem oculorum atque aurium tendunt. His
annumeres licet machinatores, qui pegmata per se surgentia excogitant, et
tabulata tacite in sublime crescentia, et alias ex inopinato varietates,
aut dehiscendentibus quæ cohærebant, aut his quæ distabant, sua sponte
coeuntibus aut his quæ eminebant paulatim in se residentibus.” (Seneca,
Epist., 88, s. 19.)
[94]
“Sic pugnas Cilicis laudabat, et ictus;
Et pegma et pueros inde ad velaria raptos.”
(Juvenal, Satyr iv. 121, 122.)
[95] See p. 49.
[96] Photos., No. 3283.
[97] Photos., No. 3286, and Plate VII.
[98] Photos., No. 3263.
[99] Those English people who remember Sadler’s Wells Theatre in London
about 1820, must know that there was always a sheet of water or reservoir
under the stage, and trap-doors in the floor by which sea-monsters could
be introduced. The amusements of the old Roman people seem to have been
frequently of this kind. Naval fights in boats might have been performed
in the Colosseum, and a great deal of machinery must have been required
to remove the floor and replace it.
A wooden Roman bridge still remains under water near Compiègne in France,
of which M. Peigné Delacourt has published an account, with engravings
of it, so that wood under water is preserved in the same manner as when
it is buried in a wet soil. This is well known in the case of piles for
bridges, and in those under the city of Amsterdam.
[100] See Plate XXVI.
Public-domain text, read in full here on John Shaqi.
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