The reason of this is obvious. Archæology is an inductive science;
its conclusions, therefore, are drawn from the comparison and
co-ordination of objects which can be seen and handled, as well as
tested by all competent observers. It is built upon what our German
friends would call objective facts, and the method it employs is that
carefully-disciplined and experimentally-guarded application of the
ordinary logic of life which can alone give us scientific results.
The method is one which the purely literary mind seems often curiously
incapable of comprehending; the literary student is accustomed to deal
so exclusively with matters of merely individual taste and theory
that he is as little able to understand what is meant by scientific
evidence and probability as the scholar who is not a mathematician is
able to follow the reasoning of Lord Kelvin. This is a fact which has
to be borne in mind more especially in archæological science, for the
questions with which archæology is concerned so frequently invade the
domain of literature or appear so closely connected with questions that
are more or less literary, that the purely literary scholar is apt to
think himself just as well qualified to discuss them as “the man in the
street” is apt to think himself qualified to discuss the etymology of a
word. To all such the archæologist would say, “Go and study your pots.”
For pottery is practically indestructible. Like the fossils on which
the geologist has built up the past history of life upon the earth, it
is an enduring evidence, when rightly interpreted, of the past history
of man. Like the fossils, moreover, it exhibits a multitudinous variety
of types and forms. But in all these types and forms there is an
underlying unity. The primitive needs of man are everywhere the same,
and the powers of mind called in to supply them are the same also.
The dish and bowl, the vase and its handles, meet us again and again
wherever we go; and the same materials for making them meet us also.
The hands of man, guided by the brain of man, found clay wherewith to
manufacture the vessels that he needed, and to harden it afterwards in
the sun or fire. Where or how the first pottery was made we do not
know, we probably shall never know. When palæolithic man first makes
his appearance in Europe he seems not yet to have been acquainted with
it; but it is difficult to prove a negative in archæology as in other
sciences, and the absence of palæolithic pottery may be due only to
the imperfection of the record. At any rate, as we descend the ladder
of chronology the existence of man is marked more and more by the
fragments of pottery he has left behind him; at Rome a whole mountain
of it grew up in the space of a few centuries, and the huge mounds that
encircled Cairo a hundred years ago were mainly formed of mediæval
sherds. When excavating on an Egyptian site I have sometimes been
tempted to think that the people who once lived there must have spent
Public-domain text, read in full here on John Shaqi.
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