The Architectural Review and American Builders' Journal, Aug. 1869Various
General
The Architectural Review and American Builders' Journal, Aug. 1869
Various
Architecture -- Periodicals
Transcriber’s Notes:
Underscores “_” before and after a word or phrase indicate _italics_
in the original text.
Small capitals have been converted to SOLID capitals.
Illustrations have been moved so they do not break up paragraphs.
Typographical errors have been silently corrected but other variations
in spelling and punctuation remain unaltered.
THE ARCHITECTURAL REVIEW AND AMERICAN BUILDERS’ JOURNAL.
VOL. II.—Entered according to Act of Congress, in the year 1869, by
Samuel Sloan, in the Clerk’s Office of the District Court of the United
States, in and for the Eastern District of Pennsylvania.
MONTHLY REVIEW.
THE LONDON BUILDER AND OURSELVES.
In a tolerantly critical notice of the REVIEW recently published in
the _Builder_, we find an effort to substantiate a charge formerly
made by it, and replied to by us, on the subject of “trickery” in the
construction of the exteriors of American buildings. The _Builder_
reiterates the charge and points to Grace Church, New York, in proof
of the truth of it. That marble edifice, he avers, has a wooden spire,
crocketted, etc., painted in imitation of the material of which the
body of the church is constructed. Alas, we must acknowledge the wood.
And we will make a clean breast of it, and still farther acknowledge
that at the time that Grace Church was built, our land of wooden
nutmegs, and other notions, had not an architectural idea beyond the
wooden spire, and that our city and country churches, that aspired
at all, were forced to do so in the national material of the day.
That said sundry spires of wood were _of necessity_, painted, is most
true; and furthermore, white-lead being a great favorite with the
people generally, [when our manners, customs, and tastes were more
immaculate than in these degenerate days of many colors,] that pigment
was the ruling fashion. That the color of the marble, of which Grace
Church’s body is constructed, should be similar to that with which
said ecclesiastical edifice’s spire was coated, is unfortunate; but,
that the resemblance goes to prove any attempt at a _cheat_, we most
strenuously deny. Grace Church is of a by-gone taste,—an architectural
era which we now look back to in order to see, by contrast, how far
we have advanced in architectural construction. Trinity Church, New
York, was the first great effort at a stone spire which our Architects
ventured to rear. And although hundreds have followed its lead, none in
this soaring republic have gone so near to heaven as that yet. But the
thing once effected is sure to be improved upon.
Public-domain text, read in full here on John Shaqi.
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