The Architectural Review and American Builders' Journal, Aug. 1869Various
General
The Architectural Review and American Builders' Journal, Aug. 1869
Various
Architecture -- Periodicals
The facilities, already alluded to, of its transportation to all the
markets for such material in the country and to the seaboard, whence
it can be shipped to any part of the world, must tend to bring it into
general use here and elsewhere, that colored marbles are required for
building and ornamental purposes.
We are much indebted to a gentleman of Philadelphia, whose taste and
liberal enterprise have so opportunely brought to our knowledge this
most remarkable deposit of one of Nature’s most beautiful hidden
treasures, which must, at no distant day, add vastly and more cheaply
to the art material of our country.
* * * * *
THE palace in course of construction at Ismalia, for the reception of
the Empress Eugenie during her stay in Egypt, will be 180 feet wide and
120 deep. The estimate cost is 700,000fr. According to the contract
it is to be finished by the 1st of October, for every day’s delay the
architect will be subject to a fine of 300fr per day, and if finished
before he will receive a bonus of 300fr per day. The building will
be square; in the centre there is to be a dome covered with Persian
blinds. On the ground floor there will be the ball, reception, and
refreshment rooms. An idea can be formed of the importance of this
structure and of the work necessary to complete it within the required
time, as it will contain no less than 17,400 cubic feet of masonry.
* * * * *
TO REMOVE WRITING INK—To remove writing ink from paper, without
scratching—apply with a camel’s hair brush pencil a solution of two
drachms of muriate of tin in four drachms of water; after the writing
has disappeared, pass the paper through the water and dry.
DESCRIPTIONS.
IRON STORE FRONTS, No. 5.
BY W. J. FRYER, JR., NEW YORK.
The elevation, shown in the accompanying page illustration, shows an
iron front of five stories, having a pedimented centre frontispiece of
three stories in _alto relievo_.
The style, though not in strict accordance with rule, is showy, without
being objectionably so, and goes far to prove the capabilities of iron
as a desirable material in commercial Architecture, where strength,
display, and economy may be very well combined.
Such an elevation as this, now under consideration, could not be
executed in cut stone, so as to produce the same appearance, without
incurring a much greater expense, and in the event of a continuous
block of such fronts, the balance of economy would be wonderfully in
favor of the iron, for the moulds could be duplicated and triplicated
with ease, whilst the same composition executed to a like extent in
stone would not be a cent cheaper in proportion. Every capital and
every truss, and every fillet, should be cut in stone independently of
each other, no matter how many were called for.
Public-domain text, read in full here on John Shaqi.
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