The Architecture of Colonial AmericaEberlein, Harold Donaldson
History
The Architecture of Colonial America
Eberlein, Harold Donaldson
Architecture -- United States; Architecture, Colonial
Until the middle of the eighteenth century, the American public had been
without any organised effort to present dramatic performances and,
consequently, there were no theatres to be numbered among public
buildings before that time. Just after the middle of the century,
however, a stock company came over from England and started upon a round
of engagements in the different cities of the Colonies. By a portion of
the people they were heartily welcomed but for the most part they met
with an indifferent if not actively hostile reception. Nevertheless,
despite all opposition, they persevered, and in time won an established
position in the social life of the day. At first they made shift to get
along with quarters improvised in storehouses or other buildings that
might be temporarily adapted to their purpose but eventually it became
necessary to have structures designed especially to meet their needs. In
1759 a small wooden theatre was built in South or Cedar street,
Southwark, Philadelphia, but was used for only a brief period. Its place
was soon taken by a second structure, substantially built of brick,
farther up South street, above Fourth. This brick theatre was opened
November 21, 1766, “and was the first permanent building used for
theatrical purposes in America.” Both this building and its wooden
predecessor were on the _south_ side of South street and hence in
Southwark, as the jurisdiction of the Philadelphia city authorities
ended on the _north_ side of that thoroughfare. There was more liberty
of action in Southwark and both the first and second theatres were
located there to escape the violent opposition of the powerful Quaker
element which frowned upon dramatic performances and urged that “the
practise of play-acting would be ‘attended by mischievous effects, such
as the encouragement of idleness and drawing great sums of money from
weak and inconsiderate persons.’”
Public-domain text, read in full here on John Shaqi.
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