The Architecture of Colonial AmericaEberlein, Harold Donaldson
History
The Architecture of Colonial America
Eberlein, Harold Donaldson
Architecture -- United States; Architecture, Colonial
And now let us glance for a moment at the manner of people who
frequented these churches Sunday after Sunday. We shall find among them
the extremes of both worldly pomp and ostentation, on the one hand, and
humble simplicity, on the other, as they went to the weekly discharge of
their religious duties. Our Colonial forebears, however democratic some
of them may have been in religious principle or however much some of
them may have decried set ceremonial forms, were, almost without
exception, great respecters of persons and in no way did they more fully
display this common failing--it is just as prevalent in kindred forms at
the present day--than in their methods of seating the congregations
according to the accepted worth or dignity of the individual members.
In the South, the lords of the manors or the squires, just as in
England, had their great square pews in the chancel or, perhaps, a whole
transept would be reserved to their exclusive use for their family,
dependants or tenants as was the case, for example, in Christ Church,
Lancaster County, Virginia, where Robert (“King”) Carter, at whose
charge the edifice was built, made such a reservation. The “King’s” own
high panelled family pew, just before the pulpit, had a brass rail
around the top from which hung damask curtains on all sides except that
opposite the pulpit. This screened the occupants, when standing up, from
the gaze of the rudely inquisitive.
Upon the removal of the seat of the Virginia government from Jamestown
to Williamsburg, in 1699, Bruton Parish Church became the “court church”
of the Colony and “official distinction was recognised and emphasized”
in the order of seating. The historian of the parish, writing of the
present building, which was completed in 1715, says: “To His Excellency
the Governour and His Council of State was assigned a pew elevated from
the floor, overhung with a red velvet canopy, around which his name was
emblasoned in letters of gold, the name being changed as Spotswood,
Drysdale, Gooch, Dinwiddie, Fauquier, Lord Botetourt and Lord Dunmore
succeeded to office. In the square pews of the transepts sat the members
of the House of Burgesses, the pews in the choir being assigned to the
Surveyor General and the Parish Rector, while in the overhanging
galleries in the transept and along the side walls of the church sat the
Speaker of the House of Burgesses and other persons of wealth and
distinction, to whom the privilege of erecting these private galleries
was accorded from time to time.”
Public-domain text, read in full here on John Shaqi.
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