The Architecture of Provence and the RivieraMacGibbon, David
History
The Architecture of Provence and the Riviera
MacGibbon, David
Architecture -- France -- Provence; Architecture -- France -- Riviera
[Illustration: FIG. 63. STE MARTHE, TARASCON.]
reconstructed in the fourteenth century, and is of the usual Southern
plan with Gothic details.
The south porch of the twelfth century church however still exists, and
is a very beautiful example of the Provençal style (Fig. 63). In general
character it corresponds with the finer instances we shall meet with at
Arles and St Gilles, although on a reduced scale. The round and
octagonal nook shafts have caps partly copied from the Corinthian, and
partly carved with Romanesque figures. The numerous fine mouldings of
the arch contain a curious mixture of Roman and Mediæval ornaments, in
the classic egg combined with the Gothic dog-tooth enrichments. The
small arcade above, with alternate fluted pilasters and round shafts,
all finished with enriched caps resting on a cornice supported on carved
heads, have an advanced Romanesque character.
This church is dedicated to Martha, the sister of Mary, who along with
Lazarus and other primitive saints, are traditionally supposed to have
converted the south of Gaul to Christianity. Martha is said to have
endeared herself to the people of Tarascon, by delivering the town from
the power of a hideous dragon, which feat is celebrated annually by an
extraordinary procession, in which the _Tarasque_ (a pantomimic dragon)
makes a great figure, followed by representatives of all the members of
the holy family, and attended by multitudes of people.
The Castle of Tarascon (Fig. 64) stands on a rock which rises but little
above the level of the river. Begun by Louis II. of Provence in the
fourteenth century, it was finished by King René in the fifteenth. It is
now a prison, so that the interior is not easily accessible.
There is here a curious mixture of the Southern square tower with the
Northern round form, while the smaller details are all of the Northern
Gothic style. The general
[Illustration: FIG. 64. CASTLE OF TARASCON.]
effect is fine, although somewhat heavy, and the details of the entrance
gateway, with its separate drawbridges for carriages and foot
passengers, and its ornamental parapet and corbels are particularly
noteworthy.
[Illustration: FIG. 65. HOUSE IN TARASCON.]
Tarascon has some good bits of architecture in its narrow but somewhat
picturesque streets,--the winding stair and projecting turret being very
effectively treated in one instance (Fig. 65). The gateway of the town
(Fig. 66) on the east is also simple but good, and quite Northern in
style, having two round towers flanking the entrance archway.
Public-domain text, read in full here on John Shaqi.
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