The Architecture of Provence and the RivieraMacGibbon, David
History
The Architecture of Provence and the Riviera
MacGibbon, David
Architecture -- France -- Provence; Architecture -- France -- Riviera
The church of the monastery of Mont-Majour is an example of the severe
style of the twelfth century, and likewise of the aisle-less plan of the
Southern provinces. This church was founded in 1016, and was conceived
on a very large scale, but little seems to have been done during the
following hundred years, the most of the work being in the style of the
twelfth century. It consists of an upper church and a lower church or
very large crypt. The latter extends under a large part of the space
occupied by the upper church, and, like it, is in the form of a Latin
cross. The nave of the church is very short, owing to the works having
been stopped for want of funds to complete it on the extensive scale on
which it was originally projected. The crypt is all vaulted with
circular arches, and is extremely dark, the only light admitted being
what can penetrate into it from the small windows in the apse.
The arrangement of the choir of the crypt is peculiar. The altar stands
in the centre, and round it runs a wall with five wide arches opening on
a gallery which follows round the apse, and from which chapels radiate
in the various faces of the octagon. The chief altar is thus visible
from almost any part of the choir.
The upper church forms one great hall with a transept and apse, and is
roofed with pointed tunnel vaults strengthened with transverse ribs, but
is entirely without ornament.
[Illustration: FIG. 81. THE CHURCH AND KEEP MONT-MAJOUR.]
It has, however, an effect of simple grandeur and spaciousness owing to
its size; but from the shortness of the nave, there is a want of due
proportion in the various parts. The choir, as is usual in Cistertian
churches of this date, is very short, the apse beginning almost at the
transept.
[Illustration: FIG. 82. CLOISTERS, MONT-MAJOUR.]
The whole building is solidly constructed with good ashlar work. The
west doorway is round arched, and is surmounted with a large pointed
window from which the principal light in the church is obtained. The
exterior is as unornamental as the interior. The east end (Fig. 81) is
finished with a polygonal apse, the windows of which in the upper church
are simple round arches springing from shafts recessed in the jambs. The
exterior of the apse of the crypt is peculiar, owing to the form of the
segmental depressed arches, enclosing deep recesses, at the inner end of
which are the small windows of the crypt. The depressed form of arch was
probably adopted owing to the want of height and the desire to admit as
much light as possible. The same segmental form is also employed in the
cloister arcades. The apse has been heightened at a late period and the
interior made circular. An enriched Gothic chapel has been added to the
north transept in the fourteenth century, and extensive Gothic
buildings, now in a state of total ruin (_see_ Figs. 81, 82) have been
extended to the south of the church.
Public-domain text, read in full here on John Shaqi.
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