The Architecture of Provence and the RivieraMacGibbon, David
History
The Architecture of Provence and the Riviera
MacGibbon, David
Architecture -- France -- Provence; Architecture -- France -- Riviera
The gateway (Fig. 230) at the entrance to the town from the north has an
older character than the fortifications of Mandon. This gateway seems to
have formed the ancient entrance through a square tower placed for
defence on the neck of land which joins the promontory to the mainland.
It presents the same character as the square gate towers of Avignon,
having a plain pointed archway and portcullis groove on the exterior,
defended by a machicolated parapet above, the interior of the tower
being left open towards the town, so that, if captured, it could not be
turned to account against it (_see_ Fig. 226).
[Illustration: FIG. 226. INTERIOR OF N. GATEWAY, ST PAUL-DU-VAR.]
This tower has been incorporated by Mandon in his works, and is
strengthened externally by a bastion with another portcullis, and a
narrow passage commanded from above.
[Illustration: FIG. 227. MAIN STREET IN ST PAUL-DU-VAR.]
But St Paul possesses memorials of a much older time even than this
fourteenth century tower, in the ancient church and keep which crown the
summit of its rocky site. The church is a small but remarkable monument.
Externally the west front (Fig. 231) shews a central portion of plain
ashlar work, with a simple pointed doorway, and a small pointed window
above. There are also some corbels remaining, which probably supported
the wall plate of the lean-to roof of an outer porch or narthex. The
adjoining walls at the sides, and above the corbels, are all evidently
much more modern than the central portion. The lofty square tower
attached to this front appears, from an inscription it bears, to have
been erected in the seventeenth century. On entering the building, the
lowness of the central nave (Fig. 232), and the extreme simplicity of
its construction and vaulting, are seen to correspond with the style of
the central part of the exterior. The plain character of the whole
recalls the work of the early Cistertian school. The church has probably
been originally a simple nave, like Fréjus on a small scale. The aisles
appear to have been added afterwards, the side walls having been cut
through to give access to them (_see_ Plan, Fig. 233). But so devoid is
the building of ornament or features whereby a date may be determined,
that the aisles may possibly have been original, although altered at a
later date. The vaulting of the aisles, with its rounded or octagonal
ribs, is certainly of more recent date than the plain intersecting vault
without ribs of the central nave.
[Illustration: FIG. 228. CHIMNEY-PIECE IN THE MAISON SURAIRE, ST
PAUL-DU-VAR.]
Close to the church stands a very interesting example of the tower-built
keeps of the Maritime Alps (Fig. 234). It is similar in general
character to those of the Mont
[Illustration: FIG. 229. STAIRCASE IN THE MAISON SURAIRE, ST
PAUL-DU-VAR.]
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