The Architecture of Provence and the RivieraMacGibbon, David
History
The Architecture of Provence and the Riviera
MacGibbon, David
Architecture -- France -- Provence; Architecture -- France -- Riviera
Under Charlemagne a wonderful revival took place in Letters, Arts,
Schools, and Religion--the first dawn after the long night of anarchy.
In Italy, Provence, and Aquitaine, where the towns had preserved
something of the Roman municipal rule, and of the manners, letters, and
arts of the Empire, Literature and Art began slowly to improve and
revive. The relics of Roman culture which they possessed, together with
the constant intercourse of the dwellers in the towns with one another,
and the circumstance that here, as in Italy, the Nobles as well as the
Burghers dwelt within the walls, all helped to bring about a more
speedy revival in the South than in the North, where the Nobles dwelt
apart in their isolated castles. The reminiscences of Roman luxury, and
the warm and voluptuous climate, while they tended to enervate and
weaken, tended also to the growth of music, song and literature.
National poets arose, the predecessors of the Troubadours, who became so
prominent in the thirteenth and fourteenth centuries.
This enlightenment, combined with the nascent chivalry of the eleventh
century, which introduced the worship of Woman with gallantry and the
Courts of Love, formed a striking contrast to the rigid asceticism of
the Burgundians, and competed strongly with the expansion of the
Monastic institutions. It was the same spirit of freedom and progress
which in the following century excited the suspicion and hatred of the
clergy, and gave rise to the dreadful scenes of massacre amongst the
Albigenses of Aquitaine, and the horrors of the Inquisition.
Architecture naturally participated in the general advancement and
showed symptoms of new life. From the ninth century evidences exist of
this revival in the monuments still to be found in these countries.
Charlemagne’s relations with the East were of a friendly character, and
he is said to have sent to Byzantium for men of learning and science.
Amongst these were no doubt Architects and Sculptors, who would thus
bring with them the elements of the Byzantine influence so distinctly
manifested in the early churches of the Rhineland.
Public-domain text, read in full here on John Shaqi.
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