The Architecture of Provence and the RivieraMacGibbon, David
History
The Architecture of Provence and the Riviera
MacGibbon, David
Architecture -- France -- Provence; Architecture -- France -- Riviera
Another remarkable phenomenon, which was both an indication of the new
life and religions awakening of the epoch, and had also a very powerful
effect in increasing these movements, was the Crusades. The same
enthusiasm which prompted thousands to devote their lives to a holy and
useful existence in the cloister, stirred up in others through the
eloquence of Peter the Hermit and St Bernard, a resolve to sacrifice
everything to the righteous endeavour to rescue the places sanctified by
the great events in our Saviour’s Life from the hands of the Infidels.
Amongst the innumerable multitudes who joined in the Crusades, and
visited the East, there must have been many who were able to appreciate
the splendid architecture and decoration of Santa Sophia and the other
great churches and buildings of the Levant; and these travellers would
bring back with them fresh ideas which they would endeavour to import
into the structures of the West. Besides, the eyes of all were opened
and their minds enlarged by contact with the culture and refinement of
the Eastern empire, where the ancient Greek and Roman civilisation had
continued uninterruptedly during the centuries of darkness and barbarism
which had well nigh obliterated them in the West. They also saw at
Constantinople the great mart where the commerce between the East and
West was concentrated, and became acquainted with the rich fabrics and
beautiful art of Persia and India.
The transport of men and materials to the East, for the prosecution of
the war, likewise gave a great impulse to navigation and maritime
enterprise, while contact with the Saracens (then an enlightened and
scientific people) taught valuable lessons to the soldiers of the cross.
They especially acquired from them many improvements in the art of the
attack and defence of fortifications, and in the construction of
military engines, the results of which the Western nobles were not slow
to avail themselves of in the great castles which they erected on their
return from the Holy Land. The buildings of the Holy places themselves
were naturally adopted as models, and the circular churches of the West
are probably mostly imitations (although sometimes remote ones) of the
church of the Holy Sepulchre (which was itself rebuilt by the
Crusaders). It will be further pointed out in dealing with the history
of the Architecture how the ancient Greco-Roman art had been preserved
in Syria, and the direct influence it had on the Architecture of the
West.
Such being the general condition of affairs, and their bearing on the
art of the West of Europe up to the twelfth century, let us now look a
little more closely at the progress of events in the province with which
we are specially concerned.
[Illustration]
[Illustration] III.
Public-domain text, read in full here on John Shaqi.
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