At different times during my researches I have heard delicate
raps, which sounded as if produced by a pin's point; a cascade
of piercing sounds, like those of a machine in full motion;
detonations in the air; light and acute metallic taps; cracking
noises, like those produced by a floor-polishing machine; sounds
which resembled scratching; warbling, like that of birds.
Each of these noises, which I have tested through different
mediums, had its special peculiarity. With Mr. Home they were
more varied; but, in strength and regularity, I have heard no
sounds which could approach those which came through Miss Kate
Fox. During several months I had the pleasure, on almost
innumerable occasions, of testing the varying phenomena which
took place in the presence of this lady, and it was the sounds
which I specially studied. It is usually necessary with other
mediums, in a regular seance, to sit awhile before anything is
heard; but with Miss Fox it seems to be merely necessary to
place her hand on something, no matter what, for the sounds to
manifest themselves like a triplicated echo, and sometimes loud
enough to be noticeable across several intervening rooms.
I have heard some of these noises produced in a living tree, in
a large pane of glass, on a stretched wire, on a tambourine, on
the roof of a cab, and in the box of a theatre. Moreover,
immediate contact is not always necessary. I have heard these
noises proceeding from the flooring and walls, when the medium's
hands and feet were tied, when he was standing on a chair, when
he was in a swing suspended from the ceiling, when he was
imprisoned in an iron cage, and when he lay in a swoon on a
sofa. I have heard them proceed from musical glasses. I have
felt them on my own shoulders, and under my own hands. I have
heard them on a piece of paper, fastened between the fingers by
a string through the corner of the sheet. With a full knowledge
of the numerous theories which have been brought forward to
explain these sounds, especially in America, I have tested them
in every way I could devise, until it was no longer possible to
escape the conviction that these sounds were real, and produced
neither by fraud nor by mechanical means.
Public-domain text, read in full here on John Shaqi.
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