[2] NOTE ON PICTURE OF INVALID IN CHAIR. The picture given in this issue of this apartment represents the poor invalid placed by some friends on a chair while his bed could be made. Our artist preferred to take it this way, knowing that it would bring out the strong face better than if taken on his pallet on the floor, where for two years he has lain. Through The Arena Relief Fund, we have been enabled to greatly relieve the hard lot of this as well as many other families of unfortunates. Now the invalid is provided with a comfortable bedstead, with a deep, soft mattress, and furnished with many other things which contribute to life's comfort. When the bed, mattress, and other articles were being brought into this apartment, the tears of gratitude and joy flowed almost in rivers from the eyes of the patient wife, who felt that even in their obscure den some one in the great world yet cared for them. [Illustration: CONSTANCE AND MAGGIE (SEE NOTE).] The next place we visited was in the attic of a tenement building even more wretched than the one just described. The general aspects of these houses, however, are all much the same, the chief difference being in degrees of filth and squalor present. Here in an attic lives a poor widow with three children, a little boy and two little girls, Constance and Maggie.[3] They live by making pants at twelve cents a pair. Since the youngest child was two and a half years old she has been daily engaged in overcasting the long seams of the garments made by her mother. When we first called she had just passed her fourth birthday, and now overcasts from three to four pairs of pants every day. There seated on a little stool she sat, her fingers moving as rapidly and in as unerring manner as an old experienced needlewoman. These three children are fine looking, as are most of the little Portuguese I visited. Their large heads and brilliant eyes seem to indicate capacity to enjoy in an unusual degree the matchless delight springing from intellectual and spiritual development. Yet the wretched walls of their little apartment practically mark the limit of their world; the needle their inseparable companion; their moral and mental natures hopelessly dwarfed; a world of wonderful possibilities denied them by an inexorable fate over which they have no control and for which they are in no way responsible. We often hear it said that these children of the slums are perfectly happy; that not knowing what they miss life is as enjoyable to them as the young in more favorable quarters. I am satisfied, however, that this is true only in a limited sense. The little children I have just described are already practically machines; day by day they engage in the same work with much the monotony of an automatic instrument propelled by a blind force. When given oranges and cakes, a momentary