my collection, I will only mention that there is a somewhat battered
statue of a Prince of Kush standing upright in his packing-case, like
a sentry in a sentry-box, in an empty coach-house at the bottom of the
garden.
It may, perhaps, be objected to my treatment of this subject that I
have described only my "home," and that, being myself, I have not
described Miss Edwards. This is a task which I cannot pretend to
perform in a manner satisfactory either to myself or the reader. My
personal appearance has, however, been so fully depicted in the
columns of some hundreds of newspapers, that I have but to draw upon
the descriptions given by my brethren of the press, in order to fill
what would otherwise be an inevitable gap in the present article. By
one, for instance, I am said to have "coal-black hair and flashing
black eyes"; by another, that same hair is said to be "snow-white";
while a third describes it as "iron-gray, and rolled back in a large
wave." On one occasion, as I am informed, I had "a commanding and
Cassandra-like presence"; elsewhere, I was "tall, slender, and
engaging"; and occasionally I am merely of "middle height" and, alas!
"somewhat inclined to _embonpoint_." As it is obviously so easy to
realize what I am like from the foregoing data, I need say no more on
the subject.
With regard to "my manners and customs" and the course of my daily
life, there is little or nothing to tell. I am essentially a worker,
and a hard worker, and this I have been since my early girlhood. When
I am asked what are my working hours, I reply:--"All the time when I
am not either sitting at meals, taking exercise, or sleeping"; and
this is literally true. I live with the pen in my hand, not only from
morning till night, but sometimes from night till morning. I have, in
fact, been a night bird ever since I came out of the schoolroom, when
I habitually sat up reading till long past midnight. Later on, when I
adopted literature as a profession, I still found that "To steal a
few hours from the night" was to ensure the quietest time, and the
pleasantest, for pen and brain work; and, for at least the last
twenty-five years, I have rarely put out my lamp before two or three
in the morning. Occasionally, when work presses and a manuscript has
to be despatched by the earliest morning mail, I remain at my desk the
whole night through; and I can with certainty say that the last
chapter of every book I have ever written has been finished at early
morning. In summertime, it is certainly delightful to draw up the
blinds and complete in sunlight a task begun when the lamps were
lighted in the evening.
Public-domain text, read in full here on John Shaqi.
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