poets, such as Chaucer, Shakespeare, Spenser, Milton, Dryden, and Pope in English, and Dante in Italian, find in Mr. Lowell a penetrating and helpful critic. His analyses are made with rare skill and nice discrimination. He is never hasty in giving expression to his opinion, and every view that he gives utterance to, exhibits the process by which it reached its development. The thought grows under his hand, apparently. The paper on Pope, with whose writings he was familiar at an early age, is a most valuable one, being especially rich in allusion and in quality. He finds something new to say about the bard of Avon, and says it in a way which emphasizes its originality. Indeed, every essay is a strong presentation of what Lowell had in his mind at the time. He is not content to confine his observation to the name before him. He enlarges always the scope of his paper, and runs afield, picking up here and there citations, and illustrating his points, by copious drafts on literature, history, scenery, and episode. He was well equipped for his task, and his wealth of knowledge, his fine scholarly taste, his remarkable grasp of everything that he undertook, his extensive reading, all within call, added to a captivating style, imparted to his writings the tone which no other essayist contemporary with him, save Matthew Arnold, was able to achieve. Thoreau and Emerson are adequately treated, and the library of old authors is a capital digest, which all may read with profit. The paper on Carlyle, which is more than a mere review of the old historian's "Frederick the Great," is a noble bit of writing, sympathetic in touch, and striking as a portrait. It was written in 1866. And then there are papers in the volumes on Lessing, Swinburne's Tragedies, Rousseau, and the Sentimentalists, and Josiah Quincy, which bring out Mr. Lowell's critical acumen even stronger. Every one who has read anything during the last fifteen years or so, must remember that bright _Atlantic_ essay on "A Certain Condescension in Foreigners." It is Mr. Lowell's serenest vein, hitting right and left skilful blows, and asserting constantly his lofty Americanism. The essay was needed. A lesson had to be given, and no better hands could have imparted it. Mr. Lowell was a master of form in literary composition,--that is in his prose, for he has been caught napping, occasionally, in his poetry,--and his difficulty was slight in choosing his words.