The Arena, Volume 4, No. 23, October, 1891 — John Shaqi
The Arena, Volume 4, No. 23, October, 1891Various
General
The Arena, Volume 4, No. 23, October, 1891
Various
American literature -- Periodicals
wrote of himself?--
"There is Lowell, who's striving Parnassus to climb
With a whole bale of _isms_ tied together with rhyme,
He might get on alone, spite of brambles and boulders,
But he can't with that bundle he has on his shoulders.
The top of the hill he will ne'er come nigh reaching
Till he learns the distinction 'twixt singing and preaching;
His lyre has some chords that would ring pretty well,
But he'd rather by half make a drum of the shell,
And rattle away till he's old as Methusalem,
At the head of a march to the last new Jerusalem."
Apart from the humorous aspect of the fable, there is, certainly, a
good deal of sound criticism in the piece. It may be brief, it may be
inadequate, it may be blunt, but for all that it is truthful, and
decidedly just, as far as it goes. Bryant, who was called cold, took
umbrage at the portrait drawn of him. But his verse has all the cold
glitter of the Greek bards, despite the fact that he is America's
greatest poet of nature, and some of his songs are both sympathetic
and sweet, such as the "Lines to a Water-fowl," "The Flood of Years,"
"The Little People of the Snow," and "Thanatopsis."
But now we come to the book which gave Mr. Lowell his strongest place
in American letters, and revealed his remarkable powers as a humorist,
satirist, and thinker. We have him in this work, at his very best. The
vein had never been thoroughly worked before. The Yankee of Haliburton
appeared ten years earlier than the creations of Lowell. But Sam Slick
was a totally different person from Hosea Biglow and Birdofredum
Sawin. Slick was a very interesting man, and he has his place in
fiction. His sayings and doings are still read, and his wise saws
continue to be pondered over. But the Biglow type seems to our mind,
more complete, more rounded, more perfect, more true, indeed, to
nature. The art is well proportioned all through, and the author
justifies Bungay's assumption, that he had attained the rank of
Butler, whose satire heads the list of all such productions. Butler,
however, Lowell really surpassed. The movement is swift, and there is
an individuality about the whole performance, which stamps it
undeniably as a masterpiece. The down-east dialect is managed with
consummate skill, the character-drawing is superlatively fine, and the
sentiments uttered, ringing like a bell, carry conviction. The
invasion of Mexico was a distasteful thing to many people because it
was felt that that war was dishonorable, and undertaken solely for the
benefit of the slaveholder, who was looking out for new premises,
where he might ply his calling, and continue the awful trade of
bondage, and his dealings in flesh and blood. Mr. Lowell's heart was
steeled against that expedition, and the first series of his Biglow
papers, introduced to the world by the Reverend Homer Wilbur, showed
how deeply earnest he was, and how terribly rigorous he could be, when
the scalpel had to be used.
Public-domain text, read in full here on John Shaqi.
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