American fiction -- 19th century; California -- History -- 1846-1850 -- Fiction; Frontier and pioneer life -- California -- Fiction
It had become quite dark when he reached the long wall that enclosed
Demorest's premises. The wall itself excited his resentment, not only
as indicating an exclusiveness highly objectionable in a man who
had emigrated from a free State, but because he, Ezekiel Corwin, had
difficulty in discovering the entrance. When he succeeded, he found
himself before an iron gate, happily open, but savoring offensively of
feudalism and tyrannical proprietorship, and passed through and entered
an avenue of trees scarcely distinguishable in the darkness, whose
mysterious shapes and feathery plumes were unknown to him. Numberless
odors equally vague and mysterious were heavy in the air, strange and
delicate plants rose dimly on either hand; enormous blossoms, like
ghostly faces, seemed to peer at him from the shadows. For an instant
Ezekiel succumbed to an unprofitable sense of beauty, and acquiesced in
this reckless extravagance of Nature that was so unlike North Liberty.
But the next moment he recovered himself, with the reflection that it
was probably unhealthy, and doggedly approached the house. It was a
long, one-storied, structure, apparently all roof, vine, and pillared
veranda. Every window and door was open; the two or three grass hammocks
swung emptily between the columns; the bamboo chairs and settees were
vacant; his heavy footsteps on the floor had summoned no attendant; not
even a dog had barked as he approached the house. It was shiftless, it
was sinful--it boded no good to the future of Demorest.
He put down his carpet-bag on the veranda and entered the broad hall,
where an old-fashioned lantern was burning on a stand. Here, too, the
doors of the various apartments were open, and the rooms themselves
empty of occupants. An opportunity not to be lost by Ezekiel's inquiring
mind thus offered itself. He took the lantern and deliberately examined
the several apartments, the furniture, the bedding, and even the small
articles that were on the tables and mantels. When he had completed the
round--including a corridor opening on a dark courtyard, which he did
not penetrate--he returned to the hall, and set down the lantern again.
“Well,” said a voice in his own familiar vernacular, “I hope you like
it.”
Ezekiel was surprised, but not disconcerted. What he had taken in the
shadow for a bundle of serapes lying on the floor of the veranda,
was the recumbent figure of a man who now raised himself to a sitting
posture.
“Ez to that,” drawled Ezekiel, with unshaken self-possession, “whether
I like it or not ez only a question betwixt kempany manners and
truth-telling. Beggars hadn't oughter be choosers, and transient
visitors like myself needn't allus speak their mind. But if you mean to
signify that with every door and window open and universal shiftlessness
lying round everywhere temptin' Providence, you ain't lucky in havin' a
feller-citizen of yours drop in on ye instead of some Mexican thief, I
don't agree with ye--that's all.”
Public-domain text, read in full here on John Shaqi.
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