"A real woman--human and big, half a dozen such would revolutionize
France. And she knows--that is the best part of it"--and his voice grew
stronger--"she _knows_! You may think you've reached the bottom of
things--thought them all out, convinced you are right, even steer your
course by your deductions--and here comes along a woman who lifts a lid
uncovering a well in your soul you never dreamed of, and your
conclusions go sky-high. And she does it so cleverly, and she is so sane
about it all. If she were where I could get at her now and then I'd do
something worth while. I've made up my mind to one thing, anyhow--I'm
going to pull to pieces the thing I set up before I came down here and
start something new. I've got another idea in my head--something a
little more human."
"Isn't 'The Savage' human, Herbert?" I asked, filling his glass as I
spoke, to give him time for reply.
"No; it's only African--one phase of a race."
"How about your 'group,' 'They Have Eyes and They See Not'?" asked
Brierley, who had drawn up a chair and stood leaning over its back,
gazing into the fire.
"A little better, but not much. The Great Art is along other
lines--bigger, higher, stronger--more universal lines, one that has
nothing racial about it, one that expresses the human heart no matter
what the period or nationality. The 'Prodigal Son' is a drama which has
been understood and is still understood by the whole earth irrespective
of creed or locality. It appeals to the savage and the savant alike and
always will to the end of time. So with the Milo. She is Greek, English,
or Slav at your option, but she will live forever because she expresses
the divine essence of maternity which is eternal. It is this, and only
this, which compels. I have had glimmerings of it all my life. Madame
cleared out the cobwebs for me in a flash. A great woman--real human."
Then noticing that no one had either interrupted his outburst or moved
his position, he glanced around the group and, as if in doubt as to the
way his outburst had been received, said simply:
"Well, speak up; am I right or wrong? You don't seem to see it as I do.
How did she appeal to you, Brierley?"
The young fellow stepped in front of his chair and dropped into its
depths.
Public-domain text, read in full here on John Shaqi.
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