"You are dead right, Herbert; you are, anyhow, about the Milo. I never
go into her presence without lifting my hat, and I have kept it up for
years. But you don't do yourself justice, old man. Some of your things
will live as long as they hold together. However"--and he laughed
knowingly--"that's for posterity to settle. How does madame appeal to
me? you ask. Well, being a many-sided woman--no frills, no coquetry, nor
sham--she appeals to me more as a comrade than in any other way--just
plain comrade. Half the women one meets of her age and class have
something of themselves to conceal, giving you a side which they are
not, or trying to give it for you to read at first sight. She gave us
her worst side first--or what we thought was her worst side--and her
best last."
"And you, Le Blanc?" resumed Herbert. "She's your countrywoman; let's
have it."
"Oh, I don't know, Herbert. I, of course, have heard of her for years,
and she was therefore not so much of a surprise to me as she was to you
all. If, however, you want me to get down to something fundamental, I'll
tell you that she confirms a theory I have always had that--But I won't
go into that. It's our last night together and we----"
"No; go on. This interests me enormously, especially her personality.
We'll have our nightcap later on."
"Well, all right," and he squared himself toward Herbert. "She confirms,
as I said, a theory of mine--one I have always had, that the Great
Art--that for which the world is waiting--is not so much the creation of
statues, if you will pardon me, as the creation of a better
understanding of women by men. Not of their personalities, but of their
impersonalities. Most women are afraid to let themselves go, not knowing
how we will take them, and because of this fear we lose the best part of
a woman's nature. She dares not do a great many generous things--sane,
kindly, human things--because she is in dread of being misunderstood.
She is even afraid to love some of us as intensely as she would. Madame
dares everything and could never be misunderstood. All doubts of her
were swept out in her opening sentence the night she arrived. She ought
to found a school and teach women to be themselves, then we'd all be
that much happier."
"And now, Louis," persisted Herbert, "come, we're waiting. No shirking,
and no nonsense. Just the plain truth. How does she appeal to you?"
"As a dead game sport, Herbert, and the best ever! Every man on his feet
and I'll give you a toast that is as short and sweet as her adorable
self.
"Here's to our friend, Madame la Marquise de la Caux--THE WOMAN."
XV
APPLE-BLOSSOMS AND WHITE MUSLIN
Public-domain text, read in full here on John Shaqi.
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