"And how clever you are to have chosen this room for these delightful meetings, of which Monsieur Marc has told me," she continued, her eyes wandering again over the several objects, while her personality completely dominated everything. "Nobody but Lemois would have brought them all together. What a genius he is! Think of his putting that wooden angel where its golden crown can become an aureole in the candle-light: he has done that since my last visit. And that other one--really the rarest thing he owns--in the dark corner by the fireplace. May I tell you about it before he comes back? It is of the fifteenth century, and is called the 'Bella Nigra'--the Black Virgin. Look at it, all of you, while I hold the candle. You see the face is black, the legend running, 'I am beautiful though black because the sun has looked at me so long.' You notice, too, that she has neither arms nor legs--a symbol of nobility, showing she need neither work nor walk, and the triple crown means that she is Queen of Heaven, Earth, and Sea. Why he pokes her in a dark corner I cannot imagine, except that it is just like him to do the queerest things--and say them too. And yet, he is _such_ a dear--and _so_ funny! You cannot think what funny things he does and says until you watch him as I have. Why is it, Monsieur Brierley, that you have never put him into one of your books--you who write such charming stories of our coast? Only this summer something occurred which I laugh over every time I think of it. The Cabourg races were on and the court-yard outside was packed with people who had come for luncheon before the Prix Lagrange was run. They were making a good deal of noise--a thing the old gentleman hates, especially from loudly dressed women. I was at the next table, sheltered from the others, and was enjoying the curious spectacle--such people always interest me--when I noticed Monsieur Lemois rubbing his hands together, talking to himself, his eyes fixed on the group. I knew one of his storms was brewing, and was wondering what would happen, when I saw him start forward as another uproarious laugh escaped one of the most boisterous. "'Mademoiselle,' he said in his softest and most courteous tone, hat in hand, bowing first to her and then to her male companions; 'mademoiselle, I love to hear you laugh; I built this place for laughter, but when you laughed so _very_ loud a moment ago my flowers were so ashamed they hung their heads,' and then he kept on bowing, his hat still in his hand, his face calm, his manner scrupulously polite. Nobody was offended. They seemed to think it was some kind of a compliment; the rebuked woman even turned her head toward the big hydrangeas as if trying to find out how they really felt about it. Oh!--he is too delicious for words."