"No," she answered slowly, in the effort to regain her composure, "he
loved her too much to hear anything against her. He knew she had stolen
it, for he had heard it from her own lips."
"And you never tried to clear her character?"
"How could I? It was her secret, not mine. To divulge it would have led
to her other and more terrible secret, and that I was pledged to keep.
She is dead, poor girl, or I would not have told you now."
"And what did you do, may I ask?" inquired Brierley.
"Nothing, except tell fibs. After she had gone the following morning I
excused her to him, of course, on every ground that I could think of. I
argued that she had a peculiar nature; that owing to her captivity she
had perhaps lost that fine sense of what was her own and what was
another's; that she had many splendid qualities; that she had only
yielded to an impulse, just as a Bedouin does who steals an Arab horse
and who, on second thought, returns it. That I had forgiven her, and had
told her so, and as proof of it had tried, without avail, to make her
keep the topaz. Only my husband knew the truth. 'Let it stay as it is,
my dear,' he said to me; 'that girl has more knowledge of human nature
than I credited her with. Once that young lover of hers had learned the
cruel truth he wouldn't have lived with her another hour.'"
"I think I should have told him," remarked Louis slowly; the story
seemed to have strangely moved him. "If he really loved her he'd have
worn green spectacles and taken her as she was--I would. Bad business,
this separating lovers."
"No, you wouldn't, Louis," remarked Herbert, "if you'd ever seen her
neck. I know something of that tattoo, although mine was voluntary, and
only covered a part of my arm. Madame did just right. There are times
when one must tell anything but the truth."
Everybody looked at the speaker in astonishment. Of all men in the world
he kept closest to the exact hair-line; indeed, one of Herbert's
peculiarities, as I have said, was his always understating rather than
overstating a fact.
"Yes," he continued, "the only way out is to 'lie like a gentleman,' as
the saying is, and be done with it. I've been through it myself and
know. Your story, madame, has brought it all back to me."
"It's about a girl, of course," remarked Louis, flashing a smile around
the circle, "and your best girl, of course. Have a drop of cognac, old
man," and he filled Herbert's tiny glass. "It may help you tell the
_whole_ truth before you get through."
"No," returned Herbert calmly, pushing the cognac from him, a peculiar
tenderness in his voice; "not my best girl, Louis, but a gray-haired
woman of sixty--one I shall never forget."
Madame laid her hand quickly on Herbert's arm; she had caught the note
in his voice.
"Oh! I'm so glad!" she said. "I love stories of old women; I always
have. Please go on."
"If I could have made her young again, madame, you would perhaps have
liked my story better."
"Why? Is it very sad?"
Public-domain text, read in full here on John Shaqi.
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