You will be disappointed, of course, when you drive up to it on a summer's day. You will think it some public building supported by the State--a hospital or orphan asylum--and, tourist-like, will search for the legend deep cut in the key-stone of the archway to reassure yourself of its identity. Nobody can blame you--hundreds have made that same mistake, I among them. But don't lose heart--keep on through the gate, take a dozen steps into the court-yard and look about, and if you have any red corpuscles left in your veins you will get a thrill that will take your breath away. Spread out before you lies a flower-choked yard flanked about on three sides by a chain of moss-encrusted, red-tiled, seesaw roofs, all out of plumb. Below, snug under the eaves, runs a long go-as-you-please corridor, dodging into a dozen or more bedrooms. Below this again, as if tired out with the weight, staggers a basement from which peer out windows of stained glass protected by Spanish grills of polished iron, their leaded panes blinking in the sunshine, while in and out, up the door-jambs, over the lintels, along the rain-spouts, even to the top of the ridge-poles of the wavy, red-tiled roofs, thousands of blossoms and tangled vines are running riot. And this is not all. Close beside you stands a fuchsia-covered, shingle-hooded, Norman well, and a little way off a quaint kiosk roofed with flowering plants, and near by a great lichen-covered bust of Louis VI, to say nothing of dozens of white chairs and settees grouped against a background of flaring reds and brilliant greens. And then, with a gasp of joy, you follow the daring flight of a giant feather-blown clematis in a clear leap from the ground, its topmost tendrils throttling the dormers. Even then your surprises are not over. You have yet to come in touch with the real spirit of the Inn, and be introduced to our jewel of a dining-room, the "Marmouset," opening flat to the ground and hidden behind a carved oaken door mounted in hammered iron: a low-ceilinged, Venetian-beamed room, with priceless furniture, tapestries, and fittings--chairs, tables, wainscoting of carved oak surmounted by Spanish leather; quaint andirons, mirrors, arms, cabinets, silver, glass, and china; all of them genuine and most of them rare, for Lemois, our landlord, has searched the Continent from end to end.