The armourer and his craft from the XIth to the XVIth centuryFfoulkes, Charles John
History
The armourer and his craft from the XIth to the XVIth century
Ffoulkes, Charles John
Armor -- History; Armorers; Weapons -- History
The impetus given to the craft in Germany was due to the interest
of the young Emperor Maximilian, who encouraged not only the
armourer, but every other craftsman and artist in his dominions.
In the _Weisz Künig_ we find him teaching the masters of all
crafts how best to do their own work, though this is probably an
exaggeration of the sycophantic author and illustrator. Still
we are forced to admit that the crafts in Germany attained to a
very high level during his reign. In the description of his visit
to Conrad Seusenhofer, the armourer, it is recorded that the
latter wished to employ certain devices of his own in the making
of armour, to which the young Emperor replied, “Arm me according
to my own wish, for it is I and not you who will take part in the
tournament.” From Germany came armour presented by the Emperor to
Henry VIII, and it is clear that such a master as Seusenhofer,
working so near the Italian frontier as Innsbruck, must have
influenced the Milanese work, just as the Milanese in the first
instance influenced the German craftsmen. With the succession of
Charles V to the thrones of Spain and Germany we find a new impetus
given to German armourers. In Spain there seems to have been a
strong feeling in favour of Milanese work, and the contest between
the two schools of craftsmen was bitter in the extreme. So personal
did this feud become that we find Desiderius Colman in 1552 making
a shield for Charles V on which the maker is represented as a bull
charging a Roman soldier on whose shield is the word “Negrol,”
a reference to the rivalry between the Colmans and the Negrolis
of Milan (Plate XXIV). With the demand for decorated armour the
rivalry between the two centres of trade increased, and there
is little to choose between the works of the German and Italian
craftsmen, either in the riotous incoherence of design or in the
extraordinary skill with which it was produced and finished.
[Illustration: _PLATE IV_
ARMOURERS AT WORK. XV CENT.
BRIT. MUS. ROY. MS. 16, G. V, FOL. II
WOODCARVING OF DUKE WILLIAM OF AQUITAINE
AND HIS ARMOURER. XV CENT.
VENUS AND VULCAN. XIII CENT.
BERLIN, KÖNIGL. BIB. CODEX MS. GERM. 282, 79]
Public-domain text, read in full here on John Shaqi.
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