The armourer and his craft from the XIth to the XVIth centuryFfoulkes, Charles John
History
The armourer and his craft from the XIth to the XVIth century
Ffoulkes, Charles John
Armor -- History; Armorers; Weapons -- History
The chief work of the armourer was the beating out of plates
from the solid ingot of metal and therefore we find that all
illustrations dealing with this craft show the workmen engaged in
this operation. When once the rough shape of the piece was obtained
a great deal of the work was done when the metal was cold, as will
be seen from examination of the illustrations.
When the craft of the armourer became important and when a large
trade was done in these munitions of war, it was found more
convenient to have the plates beaten out in special mills before
they were handed over to the armourer to make up into armour. These
battering-mills are noticed on pages 35, 188.
In many instances they were probably owned by the armourers
and were often under the same roof; but the fact that we find
hammermen, millmen, platers, and armourers mentioned together in
records and bills of payment to armouries seems to suggest that
they had different duties assigned to them.
That the work of the plater was quite distinct from that of the
armourer in the sixteenth century we gather from entries in the
State Papers Domestic, and in the reign of James I, which will be
discussed more fully farther on in this chapter.
The earliest European illustration of an armourer at work at
present known is to be found in the thirteenth-century _Aeneid_
of Heinrich von Waldec (codex MS. Germ. fol. 282, p. 79) in the
Königl. Bib. Berlin (Plate IV). From the fact that the armourer
(Vulcan) is holding the helm with pincers we may infer that he is
working it hot. The anvil as shown in this miniature (Plate IV) is
square and of primitive form and would seem to be quite useless for
the work, but this may be due to the inexperience of the artist.
The hammer, however, is carefully drawn and is evidently from some
real example in which the face is rounded in a slightly convex form
and the toe ends in a small blunted point which may be for riveting
small objects or for making small bosses.
[Illustration: FIG. 15. The Mail-maker (from Jost Amman’s _Stände
und Handwerker_), _circ._ 1590.]
Public-domain text, read in full here on John Shaqi.
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