The armourer and his craft from the XIth to the XVIth century — John Shaqi
The armourer and his craft from the XIth to the XVIth centuryFfoulkes, Charles John
History
The armourer and his craft from the XIth to the XVIth century
Ffoulkes, Charles John
Armor -- History; Armorers; Weapons -- History
20. The coif of mail, from the effigy of William, Earl of
Pembroke, Temple Church, and an unnamed effigy in Pershore
Church, Worcs, after Fairholt 46
21. Attachment of the camail, from the effigy of Sir R.
Pembridge, Clehonger Church, Hereford 46
22. Attachment of the camail reconstructed 46
23. Suggested arrangement of “banded” mail, from _Arch.
Journ._, XXXVII, figure from _Romance of Alexander_, Paris,
Bib. Nat., _circ._ 1240, and the effigy at Newton Solney,
Derbs. 47
24. Foot-soldier wearing a jack, from the _Chasse of S.
Ursula_, by Memling, 1475-1485. Bruges. 49
25. Construction of jack, from _Arch. Journ._, XXXVII 50
26. Brigandine in the Waffensammlung, Vienna, No. 130 50
27. Detail from the picture of S. Victor and donor, by Van
der Goes, Glasgow 51
28. Effigy in Ash Church, Kent, XIV cent. 51
29. Statue of S. George at Prague, 1375 51
30. The sliding rivet 52
31. Sections of brassards in the Tower 54
32. Locking gauntlet of Sir Henry Lee. Armourers’ Hall,
London 55
33. Locking hooks, turning pins, and strap cover 55
34. Bracket for jousting-sallad. Dresden, C, 3, 4 57
35. Detail showing proof mark on the breast of suit of
Louis XIV. Paris, G, 125 69
36. Proof marks on a brigandine plate in the Darmstadt
Museum 71
37. Poleynes on the brass of Sir Robert de Bures, Acton,
Suffolk, 1302 74
38. Beinbergs on the statue of Guigliemo Berardi, 1289, in
the Cloisters of the Church of the Annunziata, Florence 74
39. Brass of an unknown knight at Laughton, Lincs, 1400 75
40. Pourpointed cuisses, from the brass of Sir John de
Argentine, Horseheath Church, Cambs, 1360 83
41. Padded horse-armour, from King René’s _Traicté d’un
Tournois_ 85
42. Padded “harnische-kappe” and helm showing the
attachment of the cap, after Dürer 89
43. Sallad-cap, from a picture by Paolo Morando, 1486-1522,
No. 571. Uffizi Gallery, Florence 89
44. Helmet-cap, from a XVI-cent. engraving of Jacob Fugger 89
45. Detail of eyelet coats, XVI-XVII cent. Musée
d’Artillerie and Musée Cluny, Paris 91
46. Sallad with cover, from a XVI-cent. engraving 93
Public-domain text, read in full here on John Shaqi.
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