The armourer and his craft from the XIth to the XVIth centuryFfoulkes, Charles John
History
The armourer and his craft from the XIth to the XVIth century
Ffoulkes, Charles John
Armor -- History; Armorers; Weapons -- History
This entry may be compared with that of the Windsor Park
Tournament quoted above. King René’s book has the advantage of
being illustrated with drawings of these and all the other details
mentioned in his regulations for a tourney. The brassards shown in
the drawing have cords fixed lengthways so as to provide an extra
protection against the blow of the mace or wooden sword which René
describes as the weapons to be used. Brassards of a similar kind
are mentioned in Antoine de la Salle’s _Des anciens tournois et
Faictz d’Armes_ (edit. B. Prost., p. 120).
1471. _Inv. du Roi Rene à Angers, fo. 3 vo._
Quatre targetes de cuir bouilly a la facon de Tunes.
These targets, made after an Oriental model, would probably
resemble those which are frequently seen in India and Persia at the
present day, in which the leather is hard and often highly polished
and decorated with painting and gilding. The Highland targe is
fashioned differently, for the foundation is of wood and the skin
or hide stretched over it.
1480. _L’Artillerie des Ducs de Bourogne, Garnier, appendix, p.
230._
Onze gands et huit brasselets de cuir pour archiers.
Here the “brasselets” are not arm-defences, but are simply the
“bracer” or arm-guard which protected the wrist of the archer from
the string of his own bow when released.
1493. _L’advis de gaige de battaille_, O. de la Marche.
S’il n’est point gentilhomme il peut combattre selon l’ancienne
coustume armé de cuir bouilly.
This evidently refers to the regulations laid down by King René
in 1450, and suggests that by the end of the fifteenth century
they had become obsolete and that full plate armour was the only
equipment for the joust or tourney.
1500. _Inv. de Francois Ier. de Luxembourg, p. 6._
Plusiers bardes de chevaux de cuyr de cartes ou cartons.
The last-named materials were obviously only employed for parade
or masque. They would be early forms of papier-maché, but were
probably more like the modern cardboard than the hard papier-maché
now in use.
1559. _Notes sur Dioscoride, II, chap. 21_, Matthée.
Le cheval marin une beste du Nil [the hippopotamus] de la peau
l’on en fait des écus, animes et rondelles; aussi n’y ha il
armes n’y poinctures quelles qu’elles soyent qui la puissent
transpercer, si premièrement elle n’est baignée.
This entry shows clearly that even the hide of the hippopotamus
was not held to be weapon-proof till it had been soaked (in water
or oil). One of these leather bards exists in the Armeria Reale,
Turin, B, 2. It is catalogued as being of hippopotamus hide. A
crupper of cuir-bouilli (VI, 89) is the only specimen of leather
armour in the Tower.
1630 (_circ._). _Hist. of London, p. 26_, Pennant (1790).
Robert Scot ... was the inventor of leather artillery which he
introduced into the army of Gustvus Adolphus.
1644. _Military Memoirs of the Great Civil War, p. 42_, Gwynne.
Public-domain text, read in full here on John Shaqi.
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