The Armourer's PrenticesYonge, Charlotte M. (Charlotte Mary)
History
The Armourer's Prentices
Yonge, Charlotte M. (Charlotte Mary)
Great Britain -- History -- Henry VIII, 1509-1547 -- Fiction
The youths followed with some difficulty through the stream of
loiterers in the nave, Giles the younger elbowing and pushing so that
several of the crowd turned to look at him, and it was well that his
kinsman soon astonished him by descending a stair into a crypt, with
solid, short, clustered columns, and high-pitched vaulting, fitted up
as a separate church, namely that of the parish of St. Faith. The great
cathedral, having absorbed the site of the original church, had given
this crypt to the parishioners. Here all was quiet and solemn, in
marked contrast to the hubbub in “Paul’s Walk,” above in the nave.
Against the eastern pillar of one of the bays was a little altar, and
the decorations included St. Julian, the patron of travellers, with his
saltire doubly crossed, and his stag beside him. Little ships, trees,
and wonderful enamelled representations of perils by robbers, field and
flood, hung thickly on St. Julian’s pillar, and on the wall and splay
of the window beside it; and here, after crossing himself, Master
Headley rapidly repeated a Paternoster, and ratified his vow of
presenting a bronze image of the hound to whom he owed his rescue. One
of the clergy came up to register the vow, and the good armourer
proceeded to bespeak a mass of thanksgiving on the next morning, also
ten for the soul of Master John Birkenholt, late Verdurer of the New
Forest in Hampshire—a mode of showing his gratitude which the two sons
highly appreciated.
Then, climbing up the steps again, and emerging from the cathedral by
the west door, the boys beheld a scene for which their experiences of
Romsey, and even of Winchester, had by no means prepared them. It was
five o’clock on a summer evening, so that the place was full of stir.
Old women sat with baskets of rosaries and little crosses, or images of
saints, on the steps of the cathedral, while in the open space beyond,
more than one horse was displaying his paces for the benefit of some
undecided purchaser, who had been chaffering for hours in Paul’s Walk.
Merchants in the costume of their countries, Lombard, Spanish, Dutch,
or French, were walking away in pairs, attended by servants, from their
Exchange, likewise in the nave. Women, some alone, some protected by
serving-men or apprentices, were returning from their orisons, or, it
might be, from their gossipings. Priests and friars, as usual, pervaded
everything, and round the open space were galleried buildings with
stalls beneath them, whence the holders were removing their wares for
the night. The great octagonal structure of Paul’s Cross stood in the
centre, and just beneath the stone pulpit, where the sermons were wont
to be preached, stood a man with a throng round him, declaiming a
ballad at the top of his sing-song voice, and causing much loud
laughter by some ribaldry about monks and friars.
Public-domain text, read in full here on John Shaqi.
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