The Army Mule, and Other War SketchesCastle, Henry A. (Henry Anson)
History
The Army Mule, and Other War Sketches
Castle, Henry A. (Henry Anson)
United States -- History -- Civil War, 1861-1865; United States. Army -- Military life
He is not a typical old soldier, and must not be so classified. He is
an exception. When tests are to be applied he can always prove an
alibi. His mouth was put on soft and spread; the flush on his nose was
acquired at a great expenditure of time and money. He comes to the
front in his community, sage of the flannel lip and velvet eye, in
accordance with a known law that not always the ablest men are heard,
but always the ablest to be heard. He comes to the front with the
persistence of a pardoned anarchist, and the flawless joy of a
yearling who has maxed in math.
Meantime it is one of the everlasting verities that in hands of men
"entirely" great, the calligraph is mightier than the bludgeon. Shall
calligraphs stand dumb and the story of days when God shook the nation
until her lakes foamed over their pebbly shores and her rivers
gurgled with bloody ebullition remain unwrit, in fear of probing
blow-holes in the record of some grand snark in the concatenated order
of hoo hoos? Shall posterity be given over to moral mushiness, lest
some village Goliath of Gath, prone to such nightly exhilaration of
spirits as ends in losing the combination of adjacent streets, get
shrunken into shreds of paper-rag, brain-web and vapor?
Historians of the war have minutely narrated its grand events--events
which rising generations are already reproaching themselves for coming
too late to engage in, being relegated to their own nerveless annals
penciled on the segment of a film. Most classes of participants in
these events have been heard from. Either in plain narrative or
wrathful controversy they have ventured an enormous consumption of
time and eternity. Whether their anger be a dynamite shell or a
soap-bubble, its vocalization is uniformly terrific. The generals and
the majors; the teamsters and the staff; even the drafted men and
substitutes, unstable as the heroine who vowed at first that she would
never consent, and then relented--all these have spoken or can speak
for themselves. Majestically muscled around the mouth, staunchly
nerved in the cheek, they need no rhetorical proxy. Since history has
accepted most of their averments, they modestly consider themselves
endorsed.
There are other classes of participants who must be spoken for--their
merits have not yet become the theme of tropical, topical songs. The
speechless toilers of the conflict, half horse, half devil, half
donkey, stand high on the list of those who should not be forgotten.
We may fling flash-lights of inspection all around the black horizon
of war and find no greater faithfulness, not even in Israel.
Public-domain text, read in full here on John Shaqi.
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