The Army Mule, and Other War Sketches — John Shaqi
The Army Mule, and Other War SketchesCastle, Henry A. (Henry Anson)
History
The Army Mule, and Other War Sketches
Castle, Henry A. (Henry Anson)
United States -- History -- Civil War, 1861-1865; United States. Army -- Military life
The Sutler was subject to a military discipline varying from the
fierce precision of a Springfield rifle to the grotesque, picturesque
and variegated eccentricities of an Austrian musket. He ranked a
trifle lower than a mule, but a fraction higher than a corporal. In
that principally, if mislaid or lost in action, he did not need to be
officially accounted for in the returns like a mule, and would have
slightly better prospects than a corporal of posthumous mutilation as
to cognomen in the telegrams. The law recognized him and orders
shielded him. That was theory. The veterans jeered at him as at the
inexpressibly uncouth antics of the drafted raw disciple; everybody
kicked and cursed and plundered him. That was practice. The difference
was palpable as a headlight scarfpin; startling as the butcher's bill
after a charge on repeating rifle pits; significant as the evolution
of a human female form divine from cowskin frock and burlap leggins of
semi-savagery to high-shouldered polka-dot robings of advanced
civilization--further exalted with a laudable ambition to improve the
breed of pug puppies.
The Sutler had no status on parade, review or inspection. In the small
tinkle and smear of preparatory smatter which preluded these symbolic
mummeries, grewsome as tableaux of Chicago option matrimony (three
years with the privilege of five), he was totally ignored. He was out
of date like the hot biscuit of our ancestors with its yellow
saleratus pungency--an auriferous bichloride of alkali. He was
forgotten; full satisfaction guaranteed. When the long wavy or
waveless tangent of bayonets, rustless or rusty as the case might be,
stood forth aligned by a tempestuous adjutant with gestures mysterious
and masonic, the unobtrusive Sutler, clothed in clouds of
invisibility, affronted no tenderness of occult proprieties by any
tangible revelation. He was out of sight, like the costumes of
Tyrolean peasantry, variegated with macaroni braidings. He was
absent, conferring perhaps with some ragged Haggard from Coxeyville;
terms private and no questions asked. When ambidextrous battalions
broke by right of companies to the rear into column, and, emulating
the conscious mastery of a Sampson hiving his mellifluous swarm in the
lion's lordly breast, swept past the statuesque chief of review with
resistless swing and strides invincible, he marched not! He sat in
seclusion like the stage manager of a bicycle tournament; he rested in
abeyance, scorched with scorn and broiling on hot epithets, in the
stratified attitude of a listener trying to hear himself cogitate; he
waited patiently, vibrating from gay to grave, from saucy to sincere;
he lingered; no presents, no flowers. When the reckless inspector
snapped hammers and jingled rammers and squinted inquisitively into
muskets' murderous mouths, our friend the Sutler, profoundly versed in
the preciousness of cautiousness, was nowhere seen. There was no
hayseed in his brain; there were no flies on his intellect.
Public-domain text, read in full here on John Shaqi.
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